I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love.
Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill
Hell, my ardent sisters, be assured, Is where we’re bound; we’ll drink the pitch of hell— We, who have sung the praises of the lord With every fiber in us, every cell.
We, who did not manage to devote Our nights to spinning, did not bend and sway Above a cradle—in a flimsy boat, Wrapped in a mantle, we’re now borne away.
My dear, your eyes are weary; Rest them a little while. Assume the languid posture Of pleasure mixed with guile. Outside the talkative fountain Continues night and day Repeating my warm passion In whatever it has to say.
The sheer luminous gown The fountain wears Where Phoebe’s very own Color appears Falls like a summer rain Or shawl of tears.
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
The country lies flat, expressionless as the face of a stranger. Not one hillock shelters a buried bone. The city: a scene thin as a theater backdrop, where no doors open, no streets extend beyond the view from the corner.
Only the railroad embankment is high, shaggy with grass. Only the freight, knuckling a red sun under its wheels, drags familiar box-car shapes down long perspectives of childhood meals and all crossings at sunset.
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
I tell thee, Dick, where I have been, Where I the rarest things have seen; Oh, things without compare! Such sights again cannot be found In any place on English ground, Be it at wake, or fair.
What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
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