I summon up Panofskv from his bed
  Among the famous dead
 To build a tomb which, since I am not read,
 Suffers the stone’s mortality instead;
 Which, by the common iconographies
  Of simple visual ease,
 Usurps the place of the complexities
 Of sound survivors once preferred to noise:
 Monkeys fixed on one bough, an almost holy
  Nightmarish sloth, a tree
 Of parrots in a pride of family,
 Immortal skunks, unaromatically;
 Some deaf bats in a cave, a porcupine
  Quill-less, a superfine
 Flightless eagle, and, after them, a line
 Of geese, unnavigating by design;
 Dogs in the frozen haloes of their barks,
  A hundred porous arks
 Aground and lost, where elephants like quarks
 Ape mother mules or imitation sharks—
 And each of them half-venerated by
  A mob, impartially
 Scaled, finned, or feathered, all before a dry
 Unable mouth, symmetrically awry.
 But how shall I, in my brief space, describe
  A tomb so vast, a tribe
 So desperately existent for a scribe
 Knowingly of the fashions’ diatribe,
 I who have sought time’s memory afoot,
  Grateful for every root
 Of trees that fill the garden with their fruit,
 Their fragrance and their shade? Even as I do it,
 I see myself unnoticed on the stair
  That, underneath a clear
 Welcome of bells, had promised me a fair
 Attentive hearing’s joy, sometime, somewhere.




















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