Lines

At the confluence of tea roses and Russian sage
we made a right at the curved iron fence,
one of my dead friends beside me explaining how trees communicated
but I couldn’t understand a thing because it was all blurry — 
the way it gets — and though I knew him well
I couldn’t say for sure now whether it was Larry or
Phil or Galway or Charlie until I realized it was me
talking in some kind of Hebrish they spoke

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

1.

It unfolds and ripples like a banner, downward. All the stories
come folding out. The smells and flowers begin to come back, as
the tapestry is brightly colored and brocaded. Rabbits and violets.

Who asked you to come over? She got her foot in the door and
would not remove it, elbowing and talking swiftly. Gas leak?
that sounds like a very existential position; perhaps you had
better check with the landlord.

The house in which we now lived was old—
dark rooms and low ceilings.
Once our maid, who happened to be Hungarian,
reached her hand up into the cupboard for a dish
and touched a dead rat
that had crawled there to die—poisoned, no doubt.
“Disgusting, disgusting,” she kept saying in German
and, to my amusement, shuddered whenever she thought of it.

As he spoke we could hear, ever more loudly, the noise
Of the burning fires; the flood of flames was coming
Nearer and nearer. “My father, let me take you
Upon my shoulders and carry you with me.
The burden will be easy. Whatever happens,
You and I will experience it together,
Peril or safety, whichever it will be.
Little Iülus will come along beside me.
My wife will follow behind us. And you, my servants,
Listen to what I say: just as you leave
The limits of the city there is a mound,
And the vestiges of a deserted temple of Ceres,
And a cypress tree that has been preserved alive
For many years by the piety of our fathers.
We will all meet there, though perhaps by different ways

(Double Sestina)

DECAMERON, x. 7 There is no woman living that draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.

[Introduction]
Lo now! four other acts upon the stage,
Childhood, and Youth, the Manly, and Old-age.
The first: son unto Phlegm, grand-child to water,
Unstable, supple, moist, and cold’s his Nature.
The second: frolic claims his pedigree;
From blood and air, for hot and moist is he.
The third of fire and choler is compos’d,
Vindicative, and quarrelsome dispos’d.
The last, of earth and heavy melancholy,
Solid, hating all lightness, and all folly.
Childhood was cloth’d in white, and given to show,
His spring was intermixed with some snow.
Upon his head a Garland Nature set:
Of Daisy, Primrose, and the Violet.

There was a roaring in the wind all night;
The rain came heavily and fell in floods;
But now the sun is rising calm and bright;
The birds are singing in the distant woods;
Over his own sweet voice the Stock-dove broods;
The Jay makes answer as the Magpie chatters;
And all the air is filled with pleasant noise of waters.

All things that love the sun are out of doors;
The sky rejoices in the morning's birth;
The grass is bright with rain-drops;—on the moors
The hare is running races in her mirth;
And with her feet she from the plashy earth
Raises a mist, that, glittering in the sun,
Runs with her all the way, wherever she doth run.

When first I walked here I hobbled
along ties set too close together
for a boy to step easily on each.
I thought my stride one day
would reach every other and from then on
I would walk in time with the way
toward that Lobachevskian haze
up ahead where the two rails meet.