The Knife

What’s geography? What difference what mountain
it is? In the intimacy of this altitude
its discolored snowfields overhang half the world.

On a knife rim edge-up into whirlpools of sky,
feet are no anchor. Gravity sucks at the mind
spinning the blood-weighted body head downward.

The mountain that had become a known profile
on the day’s horizon is a gesture of earth

Before our lives divide for ever,
While time is with us and hands are free,
(Time, swift to fasten and swift to sever
Hand from hand, as we stand by the sea)
I will say no word that a man might say
Whose whole life's love goes down in a day;
For this could never have been; and never,
Though the gods and the years relent, shall be.

Is it worth a tear, is it worth an hour,
To think of things that are well outworn?
Of fruitless husk and fugitive flower,
The dream foregone and the deed forborne?
Though joy be done with and grief be vain,
Time shall not sever us wholly in twain;

I
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierc'd by the shaft which flies
In darkness? where was lorn Urania

Stranger, you who hide my love
In the curved cheek of a smile
And sleep with her upon a tongue
Of soft lies that beguile,
Your paradisal ecstasy
Is justified is justified
By hunger of the beasts beneath
The overhanging cloud

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,

I tell thee, Dick, where I have been,
Where I the rarest things have seen;
Oh, things without compare!
Such sights again cannot be found
In any place on English ground,
Be it at wake, or fair.

At Charing-Cross, hard by the way,

When he pushed his bush of black hair off his brow:
When she lifted her mop from her eyes, and screwed it
in a knob behind
—O act of fearful temerity!
When they felt their foreheads bare, naked to heaven,
their eyes revealed:
When they left the light of heaven brandished like a knife at
their defenceless eyes

There was Dai Puw. He was no good.
They put him in the fields to dock swedes,
And took the knife from him, when he came home
At late evening with a grin
Like the slash of a knife on his face.

There was Llew Puw, and he was no good.
Every evening after the ploughing
With the big tractor he would sit in his chair,

I

look out the window in upstate New York, see

the Mediterranean stretching out below me

down the rocky hillside at Faro, three

years, two months, fourteen days earlier .

8:25 A. M.

Rosemary gone back to sleep, pink & white . I

stand at the livingroom window drinking coffee, open

When I remember plain heroic strength
And shining virtue shown by Ypres pools,
Then read the blither written by knaves for fools
In praise of English soldiers lying at length,
Who purely dream what England shall be made
Gloriously new, free of the old stains
By us, who pay the price that must be paid,
Will freeze all winter over Ypres plains.
Our silly dreams of peace you put aside
And brotherhood of man, for you will see
An armed mistress, braggart of the tide,
Her children slaves, under your mastery.
We'll have a word there too, and forge a knife,
Will cut the cancer threatens England's life.

I came here, being stricken, stumbling out
At last from streets; the sun, decreasing, took me
For days, the time being the last of autumn,
The thickets not yet stark, but quivering
With tiny colors, like some brush strokes in
The manner of the pointillists; small yellows
Dart shaped, little reds in different pattern,
Clicks and notches of color on threaded bushes,

Slowly the white dream wrestle(s) to life
hands shaping the salt and the foreign cornfields
the cold flesh kneaded by fingers
is ready for the charcoal for the black wife

of heat the years of green sleeping in the volcano.
the dream becomes tougher. settling into its shape
like a bullfrog. suns rise and electrons
touch it. walls melt into brown. moving to crisp and crackle

I saw him once before,
As he passed by the door,
And again
The pavement stones resound,
As he totters o’er the ground
With his cane.

They say that in his prime,

Love, thou are absolute sole lord
Of life and death. To prove the word,
We’ll now appeal to none of all
Those thy old soldiers, great and tall,
Ripe men of martyrdom, that could reach down
With strong arms their triumphant crown;
Such as could with lusty breath
Speak loud into the face of death

Still sits the school-house by the road,
A ragged beggar sleeping;
Around it still the sumachs grow,
And blackberry-vines are creeping.

Within, the master’s desk is seen,
Deep scarred by raps official;
The warping floor, the battered seats,
The jack-knife’s carved initial;

The charcoal frescos on its wall;
Its door’s worn sill, betraying
The feet that, creeping slow to school,
Went storming out to playing!

1

A smudge for the horizon
that, on a clear day, shows
the hard edge of hills and
buildings on the other coast.
Anchored boats all head one way:
north, where the wind comes from.
You can see the storm inflating

To the memory of William Hickey, Esq. Coming out of India with ten thousand a year
Exchanged for flesh and temper, a dry Faust

1.

The dark socket of the year
the pit, the cave where the sun lies down
and threatens never to rise,
when despair descends softly as the snow
covering all paths and choking roads:

then hawkfaced pain seized you
threw you so you fell with a sharp

When first thou didst entice to thee my heart,
I thought the service brave;
So many joys I writ down for my part,
Besides what I might have
Out of my stock of natural delights,
Augmented with thy gracious benefits.

I looked on thy furniture so fine,