The Present

What I’m trying to say is that if an experience is
proposed to me—I don’t have any particular interest
in it—Any more than anything else. I’m interested in
anything. Like I could walk out the door right now and go some
where else. I don’t have any center in that sense. If you’ll look
in my palm you’ll see that my heart and my head line are
the same and if you’ll look in your palm you’ll see that it’s
different. My heart and my head feel exactly the same. Me,

for George Schneeman New York’s lovely weather
hurts my forehead

I
My life is the gardener of my body. The brain—a hothouse closed tight
with its flowers and plants, alien and odd
in their sensitivity, their terror of becoming extinct.
The face—a formal French garden of symmetrical contours
and circular paths of marble with statues and places to rest,
places to touch and smell, to look out from, to lose yourself
in a green maze, and Keep Off and Don’t Pick the Flowers.

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

Always just one demon in the attic.
Always just one death in the village. And the dogs
howling in that direction. And from the other end
the new-born child arrives, the only one
to fill the empty space in that wide air.

Likewise also cells infected by a virus
send out a signal all around them and defences
are mobilised so that no other virus

Yo ave del agua floreciente duro en fiesta.
—“Deseo de persistencia,” Poesía Náhuatl 1

In the region of rain and cloud,

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE

A Monodrama Come into the garden, Maud,
For the black bat, night, has flown,
Come into the garden, Maud,
I am here at the gate alone;