Glad

As the team’s head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed an angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war.
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass flashed
Once more.
The blizzard felled the elm whose crest
I sat in, by a woodpecker’s round hole,
The ploughman said. “When will they take it away?”

Spring: the first morning when that one true block of sweet, laminar,
complex scent arrives
from somewhere west and I keep coming to lean on the sill, glorying in
the end of the wretched winter.
The scabby-barked sycamores ringing the empty lot across the way are
budded —I hadn't noticed —
and the thick spikes of the unlikely urban crocuses have already broken
the gritty soil.

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

There is less difficulty—indeed, no logical difficulty at all—in
imagining two portions of the universe, say two galaxies, in which
time goes one way in one galaxy and the opposite way in the
other. . . . Intelligent beings in each galaxy would regard their own
time as “forward” and time in the other galaxy as “backward.”
—Martin Gardner, in Scientific American

I know I’ll lose her.
One of us will decide. Linda will say she can’t
do this anymore or I’ll say I can’t. Confused
only about how long to stay, we’ll meet and close it up.
She won’t let me hold her. I won’t care that my
eyes still work, that I can lift myself past staring.
Nothing from her will reach me after that.
I’ll drive back to them, their low white T-shaped house

(excerpt)

AN ANATOMY OF THE WORLD
Wherein,
by occasion of the untimely death of Mistress
Elizabeth Drury, the frailty and the decay
of this whole world is represented
THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone,
Whom all do celebrate, who know they have one
(For who is sure he hath a soul, unless
It see, and judge, and follow worthiness,

O Hesper-Phosphor, far away
Shining, the first, the last white star,
Hear’st thou the strange, the ghostly cry,
That moan of an ancient agony
From purple forest to golden sky
Shivering over the breathless bay?
It is not the wind that wakes with the day;
For see, the gulls that wheel and call,

for John Limon The game of baseball is not a metaphor
and I know it’s not really life.

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE