Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
Oh, what a lantern, what a lamp of light Is thy pure word to me To clear my paths and guide my goings right! I swore and swear again, I of the statues will observer be, Thou justly dost ordain.
The heavy weights of grief oppress me sore: Lord, raise me by the word, As thou to me didst promise heretofore. And this unforced praise I for an off’ring bring, accept, O Lord, And show to me thy ways.
For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love.
Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill
The last time I saw Donald Armstrong He was staggering oddly off into the sun, Going down, off the Philippine Islands. I let my shovel fall, and put that hand Above my eyes, and moved some way to one side That his body might pass through the sun,
And I saw how well he was not Standing there on his hands,
Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy and call it art. We were piloted by Auden who became Unbearably acrimonious when we dropped off Senghor into the steamy skies of his beloved West Africa. The termites and ants
The sky is cloudy, yellowed by the smoke. For view there are the houses opposite Cutting the sky with one long line of wall Like solid fog: far as the eye can stretch Monotony of surface & of form Without a break to hang a guess upon. No bird can make a shadow as it flies, For all is shadow, as in ways o'erhung By thickest canvass, where the golden rays Are clothed in hemp. No figure lingering Pauses to feed the hunger of the eye Or rest a little on the lap of life. All hurry on & look upon the ground, Or glance unmarking at the passers by The wheels are hurrying too, cabs, carriages
Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life, Unvex’d with anxious Cares, and void of Strife! Who studying Peace, and shunning Civil Rage, Enjoy’d his Youth, and now enjoys his Age:
Leucon, no one’s allowed to know his fate, Not you, not me: don’t ask, don’t hunt for answers In tea leaves or palms. Be patient with whatever comes. This could be our last winter, it could be many More, pounding the Tuscan Sea on these rocks: Do what you must, be wise, cut your vines And forget about hope. Time goes running, even As we talk. Take the present, the future’s no one’s affair.
Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
Wyatt resteth here, that quick could never rest; Whose heavenly gifts increased by disdain, And virtue sank the deeper in his breast; Such profit he by envy could obtain.
A head where wisdom mysteries did frame, Whose hammers beat still in that lively brain As on a stithy where that some work of fame
The next morning I felt that our house had been lifted away from its foundation during the night, and was now adrift, though so heavy it drew a foot or more of whatever was buoying it up, not water but something cold and thin and clear, silence riffling its surface as the house began to turn on a strengthening current,
at the third floor window of the tenement, the street looks shiny. It has been washed and rinsed by rain. Beyond the silver streaks of the streetcar tracks a single streetlight stands in a pool of wet light. It is night. St. Louis. Nineteen forty-seven. I have just come home from the orphanage
St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
Huzza! Hodgson, we are going, Our embargo's off at last; Favourable breezes blowing Bend the canvass o'er the mast. From aloft the signal's streaming, Hark! the farewell gun is fir'd; Women screeching, tars blaspheming, Tell us that our time's expir'd.
This is how the wind shifts: Like the thoughts of an old human, Who still thinks eagerly And despairingly. The wind shifts like this: Like a human without illusions, Who still feels irrational things within her. The wind shifts like this:
And the weaver said, Speak to us of Clothes. And he answered: Your clothes conceal much of your beauty, yet they hide not the unbeautiful. And though you seek in garments the freedom of privacy you may find in them a harness and a chain.
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