Buddhist New Year Song

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

1.

It unfolds and ripples like a banner, downward. All the stories
come folding out. The smells and flowers begin to come back, as
the tapestry is brightly colored and brocaded. Rabbits and violets.

Who asked you to come over? She got her foot in the door and
would not remove it, elbowing and talking swiftly. Gas leak?
that sounds like a very existential position; perhaps you had
better check with the landlord.

By the last few times we saw her it was clear
That things were different. When you tried to help her
Get out of the car or get from the car to the door
Or across the apartment house hall to the elevator
There was a new sense of heaviness
Or of inertia in the body. It wasn’t
That she was less willing to be helped to walk
But that the walking itself had become less willing.

When the eye

When the edgeless screen receiving
light from the edgeless universe

When the eye first

When the edgeless screen facing
outward as if hypnotized by the edgeless universe

When the eye first saw that it

Hungry for more light

We thought it would come, we thought the Germans would come,
were almost certain they would. I was thirty-two,
the youngest assistant curator in the country.
I had some good ideas in those days.

Well, what we did was this. We had boxes
precisely built to every size of canvas.
We put the boxes in the basement and waited.

When word came that the Germans were coming in,

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

Argument

How a Ship having passed the Line was driven by storms to the cold Country towards the South Pole; and how from thence she made her course to the tropical Latitude of the Great Pacific Ocean; and of the strange things that befell; and in what manner the Ancyent Marinere came back to his own Country. PART I
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,

[Supposed of Pamphylax the Antiochene:
It is a parchment, of my rolls the fifth,
Hath three skins glued together, is all Greek,
And goeth from Epsilon down to Mu:
Lies second in the surnamed Chosen Chest,
Stained and conserved with juice of terebinth,
Covered with cloth of hair, and lettered Xi,
From Xanthus, my wife's uncle, now at peace:
Mu and Epsilon stand for my own name.
I may not write it, but I make a cross
To show I wait His coming, with the rest,
And leave off here: beginneth Pamphylax.]

I said, "If one should wet his lips with wine,
"And slip the broadest plantain-leaf we find,

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE