Buddhist New Year Song

(FROM THE NORSE TONGUE) Now the storm begins to lower,
(Haste, the loom of Hell prepare.)

On this Day I Complete my Thirty-Sixth Year 'Tis time this heart should be unmoved,
Since others it hath ceased to move:
Yet though I cannot be beloved,
Still let me love!

on the 9th of June 1290 Upon a day, came Sorrow in to me,
Saying, ‘I’ve come to stay with thee a while’;

I tell thee, Dick, where I have been,
Where I the rarest things have seen;
Oh, things without compare!
Such sights again cannot be found
In any place on English ground,
Be it at wake, or fair.

At Charing-Cross, hard by the way,

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

Cold blew the freezing northern blast,
And winter sternly frowned;
The flaky snow fell thick and fast,
And clad the fields around.

Forced by the storm’s relentless power,
Emboldened by despair,
A shivering redbreast sought my door,

Alas, my Purse! how lean and low!
My silken Purse! what art thou now!
One I beheld—but stocks will fall—
When both thy ends had wherewithal.
When I within thy slender fence
My fortune placed, and confidence;
A poet’s fortune!—not immense:
Yet, mixed with keys, and coins among,

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

There is no radical shift of light
or redwings calling areas of marsh
their territories yet, nor plovers
probing for copepods. Only a yellow
front-end loader laying out a new berm
on the beach, from tubes too heavy
to be called hoses, its audience one man
and his protesting dog. No frosted

“Vengeance of Jenny’s case! Fie on her! Never name her, child!”—Mrs. Quickly Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,

New yeare forth looking out of Janus gate,
Doth seeme to promise hope of new delight:
And bidding th’old Adieu, his pass

As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,

My hair is grey, but not with years,
Nor grew it white
In a single night,
As men's have grown from sudden fears:
My limbs are bow'd, though not with toil,
But rusted with a vile repose,
For they have been a dungeon's spoil,
And mine has been the fate of those

—Was it for this
That one, the fairest of all Rivers, lov'd
To blend his murmurs with my Nurse's song,
And from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flow'd along my dreams? For this, didst Thou,
O Derwent! travelling over the green Plains
Near my 'sweet Birthplace', didst thou, beauteous Stream

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,

An Episode AND the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.

I'm Ramón González Barbagelata from anywhere,
from Cucuy, from Paraná, from Rio Turbio, from Oruro,
from Maracaibo, from Parral, from Ovalle, from Loconmilla,
I'm the poor devil from the poor Third World,
I'm the third-class passenger installed, good God!
in the lavish whiteness of snow-covered mountains,
concealed among orchids of subtle idiosyncrasy.

I've arrived at this famous year 2000, and what do I get?
With what do I scratch myself? What do I have to do with
the three glorious zeros that flaunt themselves
over my very own zero, my own non-existence?
Pity that brave heart awaiting its call
or the man enfolded by warmer love,
nothing's left today except my flimsy skeleton,

Before our lives divide for ever,
While time is with us and hands are free,
(Time, swift to fasten and swift to sever
Hand from hand, as we stand by the sea)
I will say no word that a man might say
Whose whole life's love goes down in a day;
For this could never have been; and never,
Though the gods and the years relent, shall be.

Is it worth a tear, is it worth an hour,
To think of things that are well outworn?
Of fruitless husk and fugitive flower,
The dream foregone and the deed forborne?
Though joy be done with and grief be vain,
Time shall not sever us wholly in twain;