Now swarthy Summer, by rude health embrowned, Precedence takes of rosy fingered Spring; And laughing Joy, with wild flowers prank'd, and crown'd, A wild and giddy thing, And Health robust, from every care unbound, Come on the zephyr's wing, And cheer the toiling clown.
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
When he pushed his bush of black hair off his brow: When she lifted her mop from her eyes, and screwed it in a knob behind —O act of fearful temerity! When they felt their foreheads bare, naked to heaven, their eyes revealed: When they left the light of heaven brandished like a knife at their defenceless eyes
(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
for Charles Simic Like a monstrous snail, a toilet slides into a living room on a track of wet, demanding to be loved. It is impossible, and we tender our sincerest regrets. In the book of the heart there is no mention made of plumbing. And though we have spent our intimacy many times with you, you belong to an unfortunate reference, which we would rather not embrace ... The toilet slides away ...
Town, a town, But location Over which the sun as it comes to it; Which cools, houses and lamp-posts, during the night, with the roads— Inhabited partly by those Who have been born here, Houses built—. From a train one sees
Bedfordshire A blue bird showing off its undercarriage En route between our oldest universities Was observed slightly off-course above Woburn In the leafy heart of our sleepiest county: Two cyclists in tandem looked up at the same moment, Like a busy footnote to its asterisk.
Three years ago, in the afternoons, I used to sit back here and try To answer the simple arithmetic of my life, But never could figure it— This object and that object Never contained the landscape nor all of its implications, This tree and that shrub
The hand and foot that stir not, they shall find Sooner than all the rightful place to go; Now in their motion free as roving wind, Though first no snail more limited and slow; I mark them full of labor all the day, Each active motion made in perfect rest; They cannot from their path mistaken stray, Though ’tis not theirs, yet in it they are blest; The bird has not their hidden track found out, Nor cunning fox, though full of art he be; It is the way unseen, the certain route, Where ever bound, yet thou art ever free; The path of Him, whose perfect law of love Bids spheres and atoms in just order move.
Mother and father gave birth to a snail Night and day I crawl in smelly weeds Dear prince, if you love me, unfasten my door Stop, don't poke your finger up my tail!
I On the top of the Crumpetty Tree The Quangle Wangle sat, But his face you could not see, On account of his Beaver Hat. For his Hat was a hundred and two feet wide, With ribbons and bibbons on every side And bells, and buttons, and loops, and lace,
Child, the current of your breath is six days long. You lie, a small knuckle on my white bed; lie, fisted like a snail, so small and strong at my breast. Your lips are animals; you are fed with love. At first hunger is not wrong. The nurses nod their caps; you are shepherded down starch halls with the other unnested throng in wheeling baskets. You tip like a cup; your head
Quis consurget mecum adversus malignantes? aut quis stabit mecum adversus operantes iniquitatem? Nemo, Domine! What can it avail To drive forth a snail,
There was Dai Puw. He was no good. They put him in the fields to dock swedes, And took the knife from him, when he came home At late evening with a grin Like the slash of a knife on his face.
There was Llew Puw, and he was no good. Every evening after the ploughing With the big tractor he would sit in his chair,
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