As rising from the vegetable World My Theme ascends, with equal Wing ascend, My panting Muse; and hark, how loud the Woods Invite you forth in all your gayest Trim. Lend me your Song, ye Nightingales! oh pour The mazy-running Soul of Melody Into my varied Verse! while I deduce, From the first Note the hollow Cuckoo sings,
While one sere leaf, that parting Autumn yields, Trembles upon the thin, and naked spray, November, dragging on this sunless day, Lours, cold and sullen, on the watery fields; And Nature to the waste dominion yields, Stripped her last robes, with gold and purple gay — So droops my life, of your soft beams despoiled, Youth, Health, and Hope, that long exulting smiled; And the wild carols, and the bloomy hues Of merry Spring-time, spruce on every plain Her half-blown bushes, moist with sunny rain, More pensive thoughts in my sunk heart infuse Than Winter’s grey, and desolate domain Faded like my lost Youth, that no bright Spring renews.
I'm Ramón González Barbagelata from anywhere, from Cucuy, from Paraná, from Rio Turbio, from Oruro, from Maracaibo, from Parral, from Ovalle, from Loconmilla, I'm the poor devil from the poor Third World, I'm the third-class passenger installed, good God! in the lavish whiteness of snow-covered mountains, concealed among orchids of subtle idiosyncrasy.
I've arrived at this famous year 2000, and what do I get? With what do I scratch myself? What do I have to do with the three glorious zeros that flaunt themselves over my very own zero, my own non-existence? Pity that brave heart awaiting its call or the man enfolded by warmer love, nothing's left today except my flimsy skeleton,
My sister! my sweet sister! if a name Dearer and purer were, it should be thine. Mountains and seas divide us, but I claim No tears, but tenderness to answer mine: Go where I will, to me thou art the same A lov'd regret which I would not resign. There yet are two things in my destiny— A world to roam through, and a home with thee.
One face looks out from all his canvases, One selfsame figure sits or walks or leans: We found her hidden just behind those screens, That mirror gave back all her loveliness. A queen in opal or in ruby dress, A nameless girl in freshest summer-greens, A saint, an angel — every canvas means The same one meaning, neither more or less.
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy and call it art. We were piloted by Auden who became Unbearably acrimonious when we dropped off Senghor into the steamy skies of his beloved West Africa. The termites and ants
Head to limp head, the sunk-eyed wounded scanned Yesterday's Mail; the casualties (typed small) And (large) Vast Booty from our Latest Haul. Also, they read of Cheap Homes, not yet planned; “For,” said the paper, “when this war is done The men's first instinct will be making homes. Meanwhile their foremost need is aerodromes, It being certain war has just begun.
Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .
You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.
Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?
Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?
And men love you. Perhaps it is because you soften so often. You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.
Oh metals metals, why are you always filling my house? You are like family, you do not care for anyone.
Time was away and somewhere else, There were two glasses and two chairs And two people with the one pulse (Somebody stopped the moving stairs): Time was away and somewhere else.
And they were neither up nor down; The stream’s music did not stop Flowing through heather, limpid brown,
There is no radical shift of light or redwings calling areas of marsh their territories yet, nor plovers probing for copepods. Only a yellow front-end loader laying out a new berm on the beach, from tubes too heavy to be called hoses, its audience one man and his protesting dog. No frosted
God washes clean the souls and hearts of you, His favored ones, whose backs bend o’er the soil, Which grudging gives to them requite for toil In sober graces and in vision true. God places in your hands the pow’r to do A service sweet. Your gift supreme to foil The bare-fanged wolves of hunger in the moil Of Life’s activities. Yet all too few
The room was suddenly rich and the great bay-window was Spawning snow and pink roses against it Soundlessly collateral and incompatible: World is suddener than we fancy it.
World is crazier and more of it than we think, Incorrigibly plural. I peel and portion A tangerine and spit the pips and feel The drunkenness of things being various.
As the dead prey upon us, they are the dead in ourselves, awake, my sleeping ones, I cry out to you, disentangle the nets of being!
I pushed my car, it had been sitting so long unused. I thought the tires looked as though they only needed air. But suddenly the huge underbody was above me, and the rear tires were masses of rubber and thread variously clinging together
Being unwise enough to have married her I never knew when she was not acting. ‘I love you’ she would say; I heard the audiences Sigh. ‘I hate you’; I could never be sure They were still there. She was lovely. I Was only the looking-glass she made up in. I husbanded the rippling meadow Of her body. Their eyes grazed nightly upon it.
Comment form: