Huzza! Hodgson, we are going, Our embargo's off at last; Favourable breezes blowing Bend the canvass o'er the mast. From aloft the signal's streaming, Hark! the farewell gun is fir'd; Women screeching, tars blaspheming, Tell us that our time's expir'd.
Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm.
Above the fresh ruffles of the surf Bright striped urchins flay each other with sand. They have contrived a conquest for shell shucks, And their fingers crumble fragments of baked weed Gaily digging and scattering.
And in answer to their treble interjections The sun beats lightning on the waves,
This is how the wind shifts: Like the thoughts of an old human, Who still thinks eagerly And despairingly. The wind shifts like this: Like a human without illusions, Who still feels irrational things within her. The wind shifts like this:
From golden showers of the ancient skies, On the first day, and the eternal snow of stars, You once unfastened giant calyxes For the young earth still innocent of scars:
Young gladioli with the necks of swans, Laurels divine, of exiled souls the dream, Vermilion as the modesty of dawns Trod by the footsteps of the seraphim;
I would to God, that mine old age might have Before my last, but here a living grave; Some one poor almshouse, there to lie, or stir, Ghost-like, as in my meaner sepulchre; A little piggin, and a pipkin by, To hold things fitting my necessity, Which, rightly us'd, both in their time and place, Might me excite to fore, and after, grace.
THE Angel ended, and in Adams Eare So Charming left his voice, that he a while Thought him still speaking, still stood fixt to hear; Then as new wak't thus gratefully repli'd. What thanks sufficient, or what recompence Equal have I to render thee, Divine Hystorian, who thus largely hast allayd The thirst I had of knowledge, and voutsaf't This friendly condescention to relate Things else by me unsearchable, now heard With wonder, but delight, and, as is due, With glorie attributed to the high Creator; something yet of doubt remaines, Which onely thy solution can resolve. When I behold this goodly Frame, this World
O living pictures of the dead, O songs without a sound, O fellowship whose phantom tread Hallows a phantom ground— How in a gleam have these revealed The faith we had not found.
We have sought God in a cloudy Heaven, We have passed by God on earth: His seven sins and his sorrows seven, His wayworn mood and mirth, Like a ragged cloak have hid from us The secret of his birth.
In a lightning bolt of memory, I see our statue of Buddha (a wedding gift from Uncle Gene) which always sat on top of the speaker cabinet. When a visitor asked, “So, does Buddha like jazz?” you said, “I hope so. He’s been getting it up the ass for a long time.”
Miracles Attending Israel’s Journey When Isr’el, freed from Pharaoh’s hand, Left the proud tyrant and his land, The tribes with cheerful homage own Their king; and Judah was his throne.
Duncan Gray came here to woo, Ha, ha, the wooin o't! On blythe Yule night when we were fou, Ha, ha, the wooin o't! Maggie coost her head fu high, Look'd asklent and unco skeigh, Gart poor Duncan stand abeigh; Ha, ha, the wooin o't!
Duncan fleech'd, and Duncan pray'd, Ha, ha, the wooin o't! Meg was deaf as Ailsa Craig, Ha, ha, the wooin o't! Duncan sigh'd baith out and in, Grat his een baith bleer't and blin',
All night I stumble through the fields of light, And chase in dreams the starry rays divine That shine through soft folds of the robe of night, Hung like a curtain round a sacred shrine.
When daylight dawns I leave the meadows sweet And come back to the dark house built of clay, Over the threshold pass with lagging feet, Open the shutters and let in the day.
Why did my parents send me to the schools That I with knowledge might enrich my mind? Since the desire to know first made men fools, And did corrupt the root of all mankind.
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
Comment form: