I have to tell you

When you get in on a try you never learn it back
umpteen times the tenth part of a featured world
in black and in back it’s roses and fostered nail
bite rhyme sling slang, a song that teaches without
travail of the tale, the one you longing live
and singing burn

It’s insane to remain a trope, of a rinsing out
or a ringing whatever, it’s those bells that . . .

Romance, who loves to nod and sing,
With drowsy head and folded wing,
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been—a most familiar bird—
Taught me my alphabet to say—
To lisp my very earliest word
While in the wild wood I did lie,
A child—with a most knowing eye.
Of late, eternal Condor years
So shake the very Heaven on high
With tumult as they thunder by,
I have no time for idle cares
Through gazing on the unquiet sky.

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

the Chinaman said don’t take the hardware
and gave me a steak I couldn’t cut (except the fat)
and there was an ant circling the coffee cup;
I left a dime tip and broke out a stick of cancer,
and outside I gave an old bum who looked about
the way I felt, I gave him a quarter,
and then I went up to see the old man
strong as steel girders, fit for bombers and blondes,

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

"As certain also of your own poets have said"—
(Acts 17.28)
Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")—
To Protus in his Tyranny: much health!

Where they will bury me
I don't know.
Many places might not be
sorry to store me.

The Midwest has right of origin.
Already it has welcomed my mother
to its flat sheets.

The English fens that bore me

God washes clean the souls and hearts of you,
His favored ones, whose backs bend o’er the soil,
Which grudging gives to them requite for toil
In sober graces and in vision true.
God places in your hands the pow’r to do
A service sweet. Your gift supreme to foil
The bare-fanged wolves of hunger in the moil
Of Life’s activities. Yet all too few

I ply with all the cunning of my art This little thing, and with consummate care
I fashion it—so that when I depart,
Those who come after me shall find it fair
And beautiful. It must be free of flaws—
Pointing no laborings of weary hands;

Beholde, o man! lyft up thyn eye and see
What mortall peyne I suffre for thi trespace.
With pietous voys I crye and sey to the:
Beholde my woundes, behold my blody face,
Beholde the rebukes that do me so manace,
Beholde my enemyes that do me so despice,
And how that I, to reforme the to grace,
Was like a lambe offred in sacryfice.

...

And geyn thi pryde behold my gret mekenesse;
Geyn thyn envie behold my charité;
Geyn thi leccherye behold my chast clennesse;
Geyn thi covetyse behold my poverté.

My dear, your eyes are weary;
Rest them a little while.
Assume the languid posture
Of pleasure mixed with guile.
Outside the talkative fountain
Continues night and day
Repeating my warm passion
In whatever it has to say.

The sheer luminous gown
The fountain wears
Where Phoebe’s very own
Color appears
Falls like a summer rain
Or shawl of tears.

America I’ve given you all and now I’m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’t feel good don’t bother me.
I won’t write my poem till I’m in my right mind.
America when will you be angelic?

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,

Can these movements which move themselves
be the substance of my attraction?
Where does this thin green silk come from that covers my body?
Surely any woman wearing such fabrics
would move her body just to feel them touching every part of her.

Yet most of the women frown, or look away, or laugh stiffly.
They are afraid of these materials and these movements
in some way.

I'm Ramón González Barbagelata from anywhere,
from Cucuy, from Paraná, from Rio Turbio, from Oruro,
from Maracaibo, from Parral, from Ovalle, from Loconmilla,
I'm the poor devil from the poor Third World,
I'm the third-class passenger installed, good God!
in the lavish whiteness of snow-covered mountains,
concealed among orchids of subtle idiosyncrasy.

I've arrived at this famous year 2000, and what do I get?
With what do I scratch myself? What do I have to do with
the three glorious zeros that flaunt themselves
over my very own zero, my own non-existence?
Pity that brave heart awaiting its call
or the man enfolded by warmer love,
nothing's left today except my flimsy skeleton,

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

My dog has died.
I buried him in the garden
next to a rusted old machine.

Some day I'll join him right there,
but now he's gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky

Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.

The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.

But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.

Ah blessed absence of God,
How lovingly I am bound to you!
You strengthen my will in its pain
And make dear to me
The long hard wait in my poor body.
The nearer I come to you,
The more wonderfully and abundantly
God comes upon me,

(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I
Take back that Heart, you with such Caution give,
Take the fond valu’d Trifle back;
I hate Love-Merchants that a Trade wou’d drive