In Your Face

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

the Chinaman said don’t take the hardware
and gave me a steak I couldn’t cut (except the fat)
and there was an ant circling the coffee cup;
I left a dime tip and broke out a stick of cancer,
and outside I gave an old bum who looked about
the way I felt, I gave him a quarter,
and then I went up to see the old man
strong as steel girders, fit for bombers and blondes,

for Ros Krauss Tell yourself
as it gets cold and gray falls from the air

You are young, and I am older;
You are hopeful, I am not—
Enjoy life, ere it grow colder—
Pluck the roses ere they rot.

Teach your beau to heed the lay—
That sunshine soon is lost in shade—
That now’s as good as any day—

When he pushed his bush of black hair off his brow:
When she lifted her mop from her eyes, and screwed it
in a knob behind
—O act of fearful temerity!
When they felt their foreheads bare, naked to heaven,
their eyes revealed:
When they left the light of heaven brandished like a knife at
their defenceless eyes

Stars from five wars, scars,
Words filled with ice and fear,
Nightflares and fogginess,
and a studied regularity.
Gon’ lay down my sword ’n’ shield—
Down by the river side, down by the river side—
Down by the river side...

Former Sergeant Crothers, among the worst,

My sister! my sweet sister! if a name
Dearer and purer were, it should be thine.
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same
A lov'd regret which I would not resign.
There yet are two things in my destiny—
A world to roam through, and a home with thee.

I inhabit these fugitive words,
I live, my face my face’s lone companion,
And my face is my path,

In your name, my land
That stands tall, enchanted and solitary;
In your name, death, my friend.

God washes clean the souls and hearts of you,
His favored ones, whose backs bend o’er the soil,
Which grudging gives to them requite for toil
In sober graces and in vision true.
God places in your hands the pow’r to do
A service sweet. Your gift supreme to foil
The bare-fanged wolves of hunger in the moil
Of Life’s activities. Yet all too few

(from Julius Caesar, spoken by Marc Antony) Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,

As you came from the holy land
of Walsinghame
Met you not with my true love
By the way as you came?

How shall I know your true love
That have met many one
As I went to the holy land

Highlight Actions Enable or disable annotations

I

Sun-blazed, over Romsley, a livid rain-scarp.


XIII

Whose lives are hidden in God? Whose?
Who can now tell what was taken, or where,
or how, or whether it was received:
how ditched, divested, clamped, sifted, over-
laid, raked over, grassed over, spread around,
rotted down with leafmould, accepted
as civic concrete, reinforceable
base cinderblocks:

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

And in a little while we broke under the strain:
suppurations ad nauseam, the wanting to be taller,
though it‘s simply about being mysterious, i.e., not taller,
like any tree in any forest.
Mute, the pancake describes you.
It had tiny roman numerals embedded in its rim.
It was a pancake clock. They had ’em in those days,
always getting smaller, which is why they finally became extinct.

I tell thee, Dick, where I have been,
Where I the rarest things have seen;
Oh, things without compare!
Such sights again cannot be found
In any place on English ground,
Be it at wake, or fair.

At Charing-Cross, hard by the way,

Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.

The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.

But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.

In Memory of Charles Baudelaire

Nous devrions pourtant lui porter quelques fleurs;
Les morts, les pauvres morts, ont de grandes douleurs,
Et quand Octobre souffle, émondeur des vieux arbres,
Son vent mélancolique àl'entour de leurs marbres,
Certe, ils doivent trouver les vivants bien ingrats.

Les Fleurs du Mal.
I
Shall I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,

Rise up, rise up,
And, as the trumpet blowing
Chases the dreams of men,
As the dawn glowing
The stars that left unlit
The land and water,
Rise up and scatter
The dew that covers
The print of last night’s lovers—
Scatter it, scatter it!

While you are listening
To the clear horn,
Forget, men, everything
On this earth newborn,

See, Winter comes to rule the varied year,
Sullen and sad, with all his rising train—
Vapours, and clouds, and storms. Be these my theme,
These, that exalt the soul to solemn thought
And heavenly musing. Welcome, kindred glooms!
Congenial horrors, hail! With frequent foot,
Pleas’d have I, in my cheerful morn of life,
When nurs’d by careless solitude I liv’d
And sung of Nature with unceasing joy,
Pleas’d have I wander’d through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew’d
In the grim evening-sky. Thus pass’d the time,
Till through the lucid chambers of the south