Whereof the Gift Is Small

I

The dialect of the scrub in the dry season
withers the flow of English. Things burn for days
without translation, with the heat
of the scorched pastures and their skeletal cows.
Every noun is a stump with its roots showing,
and the creole language rushes like weeds
until the entire island is overrun,

William Morris I
—how we’re carpet-making

There is no salutation. The
harvesters with gunny sacks
bend picking up jade stones.

(Sure that Amor would appear
in sleep. Director. Guide.)

Secret borrowings fit into their hands.

Cold on the tongue.
White flecks on the water.

Coming home with the last load I ride standing
on the wagon tongue, behind the tractor
in hot exhaust, lank with sweat,

my arms strung
awkwardly along the hayrack, cruciform.
Almost 500 bales we’ve put up

this afternoon, Marshall and I.
And of course I think of another who hung

This sun was mine and yours; we shared it.
Who’s suffering behind the golden silk, who’s dying?
A woman beating her dry breasts cried out: ‘Cowards,
they’ve taken my children and torn them to shreds, you’ve killed them
gazing at the fire-flies at dusk with a strange look,
lost in blind thought.’
The blood was drying on a hand that a tree made green,
a warrior was asleep clutching the lance that cast light against his side.

Today I planted the sand cherry with red leaves—
and hope that I can go on digging in this yard,
pruning the grape vine, twisting the silver lace
on its trellis, the one that bloomed
just before the frost flowered over all the garden.
Next spring I will plant more zinnias, marigolds,
straw flowers, pearly everlasting, and bleeding heart.
I plant that for you, old love, old friend,

(For Harold Jackman) What is Africa to me:
Copper sun or scarlet sea,

Some days I catch a rhythm, almost a song
in my own breath. I'm alone here
in Brooklyn Heights, late morning, the sky
above the St. George Hotel clear, clear
for New York, that is. The radio playing
"Bird Flight," Parker in his California
tragic voice fifty years ago, his faltering
"Lover Man" just before he crashed into chaos.
I would guess that outside the recording studio
in Burbank the sun was high above the jacarandas,
it was late March, the worst of yesterday's rain
had come and gone, the sky washed blue. Bird
could have seen for miles if he'd looked, but what
he saw was so foreign he clenched his eyes,
shook his head, and barked like a dog—just once—

January

Contorted by wind,
mere armatures for ice or snow,
the trees resolve
to endure for now,

they will leaf out in April.
And I must be as patient
as the trees—