Days

XI
A hundred generations, yes, a hundred and twenty-five,
had the strength each day
not to eat this and that (unclean!)
not to say this and that,
not to do this and that (unjust!),
and with all this and all that

(being a conversation in eight poems between an aged Lucifer and God, though only Lucifer is heard. The time is long after.) 1
invitation

Amant in bed,
dreaming.
There are no
borders to this
miniature.

B moves Bateau across the night.
It is all the loops can do
to let their gilding

Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim’s jaunty grace;
From my heart I give thee joy,—
I was once a barefoot boy!
Prince thou art,—the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy

Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.

The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.

Swift rush the spectral vapours white

Some days I catch a rhythm, almost a song
in my own breath. I'm alone here
in Brooklyn Heights, late morning, the sky
above the St. George Hotel clear, clear
for New York, that is. The radio playing
"Bird Flight," Parker in his California
tragic voice fifty years ago, his faltering
"Lover Man" just before he crashed into chaos.
I would guess that outside the recording studio
in Burbank the sun was high above the jacarandas,
it was late March, the worst of yesterday's rain
had come and gone, the sky washed blue. Bird
could have seen for miles if he'd looked, but what
he saw was so foreign he clenched his eyes,
shook his head, and barked like a dog—just once—

I am the Woman, ark of the law and its breaker,
Who chastened her steps and taught her knees to be meek,
Bridled and bitted her heart and humbled her cheek,
Parcelled her will, and cried "Take more!" to the taker,
Shunned what they told her to shun, sought what they bade her seek,
Locked up her mouth from scornful speaking: now it is open to speak.

I am she that is terribly fashioned, the creature
Wrought in God's perilous mood, in His unsafe hour.
The morning star was mute, beholding my feature,
Seeing the rapture I was, the shame, and the power,
Scared at my manifold meaning; he heard me call
"O fairest among ten thousand, acceptable brother!"
And he answered not, for doubt; till he saw me crawl
And whisper down to the secret worm, "O mother,