AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
(Double Portrait in a Mirror)
I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
A Tower of Brass, one would have said, And Locks, and Bolts, and Iron Bars, Might have preserv’d one innocent Maiden-head. The jealous Father thought he well might spare All further jealous Care. And, as he walk’d, t’himself alone he smiled, To think how Venus’ Arts he had beguil’d; And when he slept, his Rest was deep: But Venus laugh’d, to see and hear him sleep: She taught the am’rous Jove A magical Receipt in Love, Which arm’d him stronger, and which help’d him more, Than all his Thunder did, and his Almightyship before.
The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound il miglior fabbro. I. The Burial of the Dead
Traveling through the dark I found a deer dead on the edge of the Wilson River road. It is usually best to roll them into the canyon: that road is narrow; to swerve might make more dead.
By glow of the tail-light I stumbled back of the car and stood by the heap, a doe, a recent killing; she had stiffened already, almost cold. I dragged her off; she was large in the belly.
It is not to be bought for a penny in the candy store, nor picked from the bushes in the park. It may be found, perhaps, in the ashes on the distant lots, among the rusting cans and Jimpson weeds. If you wish to eat fish freely, cucumbers and melons,
Sometimes you watch them going out to sea On such a day as this, in the worst of weathers, Their boat holding ten or a dozen of them, In black rubber suits crouched around the engine housing, Tanks of air, straps and hoses, and for their feet Enormous flippers.
The bow, with such a load on board, Hammers through the whitecaps, while they talk;
A 29-year-old stewardess fell ... to her death tonight when she was swept through an emergency door that sud- denly sprang open ... The body ... was found ... three hours after the accident. —New York Times
Falling in love with a mustache is like saying you can fall in love with the way a man polishes his shoes which, of course, is one of the things that turns on my tuned-up engine
Likely as not a ruined head gasket Spitting at every power stroke, if not a crank shaft Bearing knocking at the roots of the thing like a pile-driver: A machine involved with itself, a concentrated Hot lump of a machine Geared in the loose mechanics of the world with the valves jumping And the heavy frenzy of the pistons. When the thing stops,
The fake Parthenon in Nashville, Stonehenge reduced by a quarter near Maryhill on the Columbia, the little Statue of Liberty taken from the lawn of the high school and not recovered for months, Simon Rodia’s Watts Towers in the tile maker’s shape of a ship to sail home in, the house in the shape of a ship near Milwaukee where once before the river below rose up to swallow the bank, World’s Fairs where one can enter the cell of a human body
The heavy, wet, guttural small-plane engine fights for air, and goes down in humid darkness about where the airport should be. I take a lot for granted, not pleased to be living under the phlegm- soaked, gaseous, foggy and irradiated heavens whose angels wear collars in propjets
The house in Broad Street, red brick, with nine rooms the weedgrown graveyard with its rows of tombs the jail from which imprisoned faces grinned at stiff palmettos flashing in the wind
the engine-house, with engines, and a tank in which young alligators swam and stank, the bell-tower, of red iron, where the bell gonged of the fires in a tone from hell
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons.
They have propped my head between the pillow and the sheet-cuff
Prayer the church's banquet, angel's age, God's breath in man returning to his birth, The soul in paraphrase, heart in pilgrimage, The Christian plummet sounding heav'n and earth Engine against th' Almighty, sinner's tow'r, Reversed thunder, Christ-side-piercing spear, The six-days world transposing in an hour, A kind of tune, which all things hear and fear;
I read your fourteen thousand dollar ad asking me why the Vatican waited all of these years to send an envoy to complain about conditions in Iran You’re right, we should have sent one when the Shah was in power, look, I’m in total agreement with you
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