AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
Stranger, you who hide my love In the curved cheek of a smile And sleep with her upon a tongue Of soft lies that beguile, Your paradisal ecstasy Is justified is justified By hunger of the beasts beneath The overhanging cloud
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
On this Day I Complete my Thirty-Sixth Year 'Tis time this heart should be unmoved, Since others it hath ceased to move: Yet though I cannot be beloved, Still let me love!
1 The white butterfly in the park is being read by many. I love that cabbage-moth as if it were a fluttering corner of truth itself!
At dawn the running crowds set our quiet planet in motion. Then the park fills with people. To each one, eight faces polished like jade, for all situations, to avoid making mistakes. To each one, there's also the invisible face reflecting "something you don't talk about." Something that appears in tired moments and is as rank as a gulp of viper schnapps with its long scaly aftertaste.
I tell thee, Dick, where I have been, Where I the rarest things have seen; Oh, things without compare! Such sights again cannot be found In any place on English ground, Be it at wake, or fair.
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
(from A Midsummer Night's Dream, spoken by Bottom)
When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince?
Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep?
I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was.
Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what.
Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had.
The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.
And this is what is left of youth! . . . There were two boys, who were bred up together, Shared the same bed, and fed at the same board; Each tried the other’s sport, from their first chase, Young hunters of the butterfly and bee, To when they followed the fleet hare, and tried The swiftness of the bird. They lay beside The silver trout stream, watching as the sun
O living pictures of the dead, O songs without a sound, O fellowship whose phantom tread Hallows a phantom ground— How in a gleam have these revealed The faith we had not found.
We have sought God in a cloudy Heaven, We have passed by God on earth: His seven sins and his sorrows seven, His wayworn mood and mirth, Like a ragged cloak have hid from us The secret of his birth.
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
Gliding o'er all, through all, Through Nature, Time, and Space, As a ship on the waters advancing, The voyage of the soul—not life alone, Death, many deaths I'll sing.
My hair is grey, but not with years, Nor grew it white In a single night, As men's have grown from sudden fears: My limbs are bow'd, though not with toil, But rusted with a vile repose, For they have been a dungeon's spoil, And mine has been the fate of those
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
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