The Death of the Bee

Then a hermit, who visited the city once
a year, came forth and said, Speak to us of
Pleasure.
And he answered, saying:
Pleasure is a freedom-song,
But it is not freedom.
It is the blossoming of your desires,
But it is not their fruit.

A moral tale, for Sauternes, the fungus cenaria, and the wild old Never prophesy.
You can’t. So don’t try.
Lust, pride, and lethargy
may cause us misery

I remember when I wrote The Circus
I was living in Paris, or rather we were living in Paris
Janice, Frank was alive, the Whitney Museum
Was still on 8th Street, or was it still something else?
Fernand Léger lived in our building
Well it wasn’t really our building it was the building we lived in
Next to a Grand Guignol troupe who made a lot of noise
So that one day I yelled through a hole in the wall

I know I’ll lose her.
One of us will decide. Linda will say she can’t
do this anymore or I’ll say I can’t. Confused
only about how long to stay, we’ll meet and close it up.
She won’t let me hold her. I won’t care that my
eyes still work, that I can lift myself past staring.
Nothing from her will reach me after that.
I’ll drive back to them, their low white T-shaped house

A month or twain to live on honeycomb
Is pleasant; but one tires of scented time,
Cold sweet recurrence of accepted rhyme,
And that strong purple under juice and foam
Where the wine’s heart has burst;
Nor feel the latter kisses like the first.

Once yet, this poor one time; I will not pray
Even to change the bitterness of it,
The bitter taste ensuing on the sweet,
To make your tears fall where your soft hair lay
All blurred and heavy in some perfumed wise
Over my face and eyes.

And yet who knows what end the scythèd wheat

Deola passes her mornings sitting in a cafe,
and nobody looks at her. Everyone’s rushing to work,
under a sun still fresh with the dawn. Even Deola
isn’t looking for anyone: she smokes serenely, breathing
the morning. In years past, she slept at this hour
to recover her strength: the throw on her bed
was black with the boot-prints of soldiers and workers,
the backbreaking clients. But now, on her own,

Go where those others went to the dark boundary
for the golden fleece of nothingness your last prize

go upright among those who are on their knees
among those with their backs turned and those toppled in the dust

you were saved not in order to live
you have little time you must give testimony

be courageous when the mind deceives you be courageous
in the final account only this is important

August, goldenrod blowing. We walk
into the graveyard, to find
my grandfather’s grave. Ten years ago
I came here last, bringing
marigolds from the round garden
outside the kitchen.
I didn’t know you then.
We walk

We suffer from the repression of the sublime.
—Roberto Assagioli This artist’s sculptured, open box of mahogany
(ivory white inside) is strung