The Fair

IV

So it did not come as a surprise—a relief, almost—when we heard the tac-tac-tac of machine guns and the thud of grenades rising up from the woods below. The Germans were advancing again through the tangle of bomb-shattered branches, clearing a path with axe-blows, foreheads crushed beneath the overhang of great steel helmets, gleaming eyes fixed dead ahead.
The rest of that day was bitter, and many of us fell forever headlong in the grass. But toward evening the voice of battle began to diminish, and then from the depths of the forest we could hear the song of the wounded: the serene, monotonous, sad-hopeful song of the wounded, joining the chorus of birds hidden in the foliage as they welcomed the return of the moon.
It was still daylight, but the moon was rising sweetly from behind the forested mountains of Reims.

It was green against a white and tender sky…

A moon from the forest of Ardennes,
a moon from the country of Rimbaud, of Verlaine,
a delicate green moon, round and light,

The poets are going home now,
After the years of exile,
After the northern climates
Where they worked, lectured, remembered,
Where they shivered at night
In an indifferent world.
Where God was the god of business,
And men would violate the poets’ moon,

‘Oh! sister, he is so swift and tall,
Though I want the ride, he will spoil it all,
For, when he sets out, he will let me fall,
And give me a bump, I know!
Mamma, what was it I heard you say,
About the world’s hobbies, the other day,
How some would get on and gallop away,
To end with an overthrow?’

‘I said, little prattler, the world was a race,
That many would mount with a smile on the face,
And ride to their ruin, or fall in disgrace:
That him, who was deaf to fear,
And did not look our for a rein or a guide,
His courser might cast on the highway side,

Amant in bed,
dreaming.
There are no
borders to this
miniature.

B moves Bateau across the night.
It is all the loops can do
to let their gilding

It is more onerous
than the rites of beauty
or housework, harder than love.
But you expect it of me casually,
the way you expect the sun
to come up, not in spite of rain
or clouds but because of them.

And so I smile, as if my own fidelity

(excerpt)

AN ANATOMY OF THE WORLD
Wherein,
by occasion of the untimely death of Mistress
Elizabeth Drury, the frailty and the decay
of this whole world is represented
THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone,
Whom all do celebrate, who know they have one
(For who is sure he hath a soul, unless
It see, and judge, and follow worthiness,

What large, dark hands are those at the window
Lifted, grasping the golden light
Which weaves its way through the creeper leaves
To my heart's delight?

Ah, only the leaves! But in the west,
In the west I see a redness come
Over the evening's burning breast —
— 'Tis the wound of love goes home!

Pitch here the tent, while the old horse grazes:
By the old hedge-side we'll halt a stage.
It's nigh my last above the daisies:
My next leaf'll be man's blank page.
Yes, my old girl! and it's no use crying:
Juggler, constable, king, must bow.
One that outjuggles all's been spying
Long to have me, and he has me now.

Coleridge received the Person from Porlock
And ever after called him a curse,
Then why did he hurry to let him in?
He could have hid in the house.

It was not right of Coleridge in fact it was wrong
(But often we all do wrong)
As the truth is I think he was already stuck
With Kubla Khan.