Canto XLV

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

I
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierc'd by the shaft which flies
In darkness? where was lorn Urania

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Canto III appeared in the July, 1917 issue of Poetry. Originally part of what scholars call the "Ur-Cantos," this version of Canto III was later edited by Pound to become Canto I of his collected Cantos. The section that eventually became Canto I is highlighted in blue in the poem below.
—THE EDITORS


III

Another's a half-cracked fellow—John Heydon,
Worker of miracles, dealer in levitation,
In thoughts upon pure form, in alchemy,
Seer of pretty visions ("servant of God and secretary of nature");
Full of plaintive charm, like Botticelli's,
With half-transparent forms, lacking the vigor of gods.
Thus Heydon, in a trance, at Bulverton,
Had such a sight:
Decked all in green, with sleeves of yellow silk

canto iv

A hard thunder broke my sleep.
As if roused by a god,

I stood straight up;
my rested eyes moved about,

seeking acquaintance
with place.

I found myself

From there he sailed farther on, and sadder.
Standing at the stern he looked out darkly
till the Cyclopes’ land turned slowly into view.
He saw the island’s unfarmed peak
that rose up sharp and high as if to mark itself
apart, and watched a fire’s smoke unfold
from where a shepherd lulled it.
But those who bent to pull the oars

Lo I the man, whose Muse whilome did maske,
As time her taught in lowly Shepheards weeds,
Am now enforst a far unfitter taske,
For trumpets sterne to chaunge mine Oaten reeds,
And sing of Knights and Ladies gentle deeds;
Whose prayses having slept in silence long,
Me, all too meane, the sacred Muse areeds
To blazon broad emongst her learned throng:
Fierce warres and faithful loves shall moralize my song.
Helpe then, O holy Virgin chiefe of nine,
Thy weaker Novice to performe thy will,
Lay forth out of thine everlasting scryne
The antique rolles, which there lye hidden still,
Of Faerie knights and fairest Tanaquill,
Whom that most noble Briton Prince so long

I
When Bishop Berkeley said "there was no matter,"
And proved it—'twas no matter what he said:
They say his system 'tis in vain to batter,
Too subtle for the airiest human head;
And yet who can believe it! I would shatter
Gladly all matters down to stone or lead,
Or adamant, to find the World a spirit,
And wear my head, denying that I wear it.

II
What a sublime discovery 'twas to make the
Universe universal egotism,
That all's ideal—all ourselves: I'll stake the
World (be it what you will) that that's no schism.

XLV. Upon the Vine-tree.
What is the Vine, more than another Tree,
Nay most, than it, more tall, more comly be?
What Work-man thence will take a Beam or Pin,
To make ought which may be delighted in?
It's Excellency in it's Fruit doth lie.
A fruitless Vine! It is not worth a Fly.

I
Put a sun in Sunday, Sunday.
Eleven please ten hoop. Hoop.
Cousin coarse in coarse in soap.
Cousin coarse in soap sew up. soap.
Cousin coarse in sew up soap.

II

from the Purgatorio of Dante, Canto 28, lines 1-51 And earnest to explore within—around—
The divine wood, whose thick green living woof

You rose from our embrace and the small light spread
like an aureole around you. The long parabola
of neck and shoulder, flank and thigh I saw
permute itself through unfolding and unlimited
minuteness in the movement of your tall tread,
the spine-root swaying, the Picasso-like éclat
of scissoring slender legs. I knew some law
of Being was at work. At one time I had said