The Day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air.
The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
1 ONE Day the Amarous Lisander, By an impatient Passion sway'd, Surpris'd fair Cloris, that lov'd Maid, Who cou'd defend her self no longer ; All things did with his Love conspire, The gilded Planet of the Day, In his gay Chariot, drawn by Fire,
On the secret map the assassins Cloistered, the Moon River was marked Near the eighteen peaks and the city Of humiliation and defeat—wan ending Of the trail among dry, papery leaves Gray-brown quills like thoughts In the melodious but vast mass of today’s Writing through fields and swamps
When by thy scorn, O murd'ress, I am dead And that thou think'st thee free From all solicitation from me, Then shall my ghost come to thy bed, And thee, feign'd vestal, in worse arms shall see; Then thy sick taper will begin to wink, And he, whose thou art then, being tir'd before, Will, if thou stir, or pinch to wake him, think Thou call'st for more, And in false sleep will from thee shrink; And then, poor aspen wretch, neglected thou Bath'd in a cold quicksilver sweat wilt lie A verier ghost than I. What I will say, I will not tell thee now, Lest that preserve thee; and since my love is spent,
Come live with me, and be my love, And we will some new pleasures prove Of golden sands, and crystal brooks, With silken lines, and silver hooks.
There will the river whispering run Warm'd by thy eyes, more than the sun; And there the 'enamour'd fish will stay, Begging themselves they may betray.
When thou wilt swim in that live bath, Each fish, which every channel hath, Will amorously to thee swim, Gladder to catch thee, than thou him.
Washing Kai in the sauna, The kerosene lantern set on a box outside the ground-level window, Lights up the edge of the iron stove and the washtub down on the slab Steaming air and crackle of waterdrops brushed by on the pile of rocks on top He stands in warm water
He lives, who last night flopped from a log Into the creek, and all night by an ankle Lay pinned to the flood, dead as a nail But for the skin of the teeth of his dog.
I brought him boiled eggs and broth. He coughed and waved his spoon And sat up saying he would dine alone, Being fatigue itself after that bath.
Our storm is past, and that storm's tyrannous rage, A stupid calm, but nothing it, doth 'suage. The fable is inverted, and far more A block afflicts, now, than a stork before. Storms chafe, and soon wear out themselves, or us; In calms, Heaven laughs to see us languish thus. As steady'as I can wish that my thoughts were, Smooth as thy mistress' glass, or what shines there, The sea is now; and, as the isles which we Seek, when we can move, our ships rooted be. As water did in storms, now pitch runs out; As lead, when a fir'd church becomes one spout. And all our beauty, and our trim, decays, Like courts removing, or like ended plays. The fighting-place now seamen's rags supply;
My father paces the upstairs hall a large confined animal neither wild nor yet domesticated. About him hangs the smell of righteous wrath. My mother is meekly seated at the escritoire. Rosy from my bath age eight-nine-ten by now I understand his right to roar, hers to defy
Nothing so true as what you once let fall, "Most Women have no Characters at all." Matter too soft a lasting mark to bear, And best distinguish'd by black, brown, or fair.
How many pictures of one nymph we view, All how unlike each other, all how true! Arcadia's Countess, here, in ermin'd pride,
When she rises in the morning I linger to watch her; She spreads the bath-cloth underneath the window And the sunbeams catch her Glistening white on the shoulders, While down her sides the mellow Golden shadow glows as She stoops to the sponge, and her swung breasts
“Mother of heaven, regina of the clouds, O sceptre of the sun, crown of the moon, There is not nothing, no, no, never nothing, Like the clashed edges of two words that kill.” And so I mocked her in magnificent measure. Or was it that I mocked myself alone? I wish that I might be a thinking stone. The sea of spuming thought foists up again
We passed old farmer Boothby in the field. Rugged and straight he stood; his body steeled With stubbornness and age. We met his eyes That never flinched or turned to compromise, And “Luck,” he cried, “good luck!”—and waved an arm, Knotted and sailor-like, such as no farm In all of Maine could boast of; and away He turned again to pitch his new-cut hay...
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