Sparrows tapping your shutters louvres? snow owls
guano your eaves? spring rainstorms sway
in your gutters; down-cellar a green pipe pearls
and roots find its fissures. Matter—outside us, out in le Vrai,
matter—un-does; fatiscit; a sort of eternal
breakdown and sloughage. Small wonder that Saturday
finds you botanizing some mast-high aisle
in the Depot. Fazed by stock-names and numbers, distinctions
like drip-forged and molly- and carborundum-steel,
or, in DIMENSIONAL LUMBER, the trunk chart. Its dotted lines
follow core cuts, mere spindles, out to the perimeter or “wane,”
a ring of two-by-twelves with moonrim bark ribbons.
Yet even sparrows must nest-mend with worldstuff torn
out of somewhere. The joinery-bits in the MASTER JOINER
blister-pack point to his fast parataxes—copulas, common-
alities, ship-lists, figures in carpets or slimmer
hex-keys in sets, the eternal angle (Egyptian)
or iron plane-handles tuned to the unheard rumor
that joins them. The same slits reparied once with tendon-
thread in bone needles, bronze pins, the earliest factory-fittings
or the long floating line of the bass-baritone
Leporello, his catàlogo of continents and couplings
ironizing, admiring, down to the final mel-
isma on DOES (you know the Don’s doings)
voi . . . sapete, voi . . . sapete . . . quel
che FA-AHH, ah-ahh, ah-ahh . . . Ah vowel
you make us a clean dream of matter. Electrons wheel
translucent in orbit, sealants in lucid spheres fall
to our refts and rifts, you grout tubs and re-seal
turved huts in the rainy Carpathians where the Baal
Shem Tov (“the world is a wedding”) lingers, and back to our own vernal
mall. You float like a bird through the darkening hall
of the Depot, cooling the brows of nocturnal
plasterers trailing meanders of lime-white prints
under parking-lot lights, past crepuscular forklifts, feral
carhoods streaming the fractalized shadows of chain links
and sledges laden with wattles, with yellowy rolls of oiled paper
to seal up the windows of snowy Muscovy or Minsk.
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