Photographs

P

Proof Sheets: 36 Prints


These photographs are the index of an hour,
memory clocked along negative margins:
one through twelve, one through twelve, one
through twelve.

Even in a sequence there is choice,
as when I chose not to photograph silences between words—

choice of the parted lips—
or choose now a sequence out of time.
Scissors: chopped time.

Rearrangement is good:
You are characters in a drama called then.

You are figures for mythology.
I shall make Phaedra blonde, Theseus dark, Hippolytus
blonde—

blue eyes: blue eyes; that will do—
Antigone singing in the graveyard wind,

a twelve-year old who is Jocasta alternate weeks.
Neither imagination nor my willing flesh can move this
hand

one fraction of an inch;
a shift of stance could have juxtaposed mouths.
The fixed frame

is the drama:
Hippolytus at banquet;
Phaedra in her chamber,
behind her that painting blurred

into an omen,
as if Theseus were Creon, Meleager, shepherd, faun;
Oedipus barefoot, hairskin beast;
Antigone maenad, Helen, Artemis.

Only out-of-focus figures move.

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