And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
Now swarthy Summer, by rude health embrowned, Precedence takes of rosy fingered Spring; And laughing Joy, with wild flowers prank'd, and crown'd, A wild and giddy thing, And Health robust, from every care unbound, Come on the zephyr's wing, And cheer the toiling clown.
I He who has never tasted the grapes of Canaan can only view them from Pisgah.
I have my tides, O sea-foamed Venus, dearer than watercress, pipkins, thyme and clymene. You once held me by the cord of my navel, but I have not died to live in Mahomet’s paradise.
Would that I could gather up my love to me as one does one’s fate, or measure her nature as God does the sea.
We are a weary race that hates seedtime. Poor Persephone, who is Maying springtime, and the coming up of flowers! We remember only what we seed, and Persephone goes down into the earth after Spring and Summer vegetation only because Pluto gave her pomegranate seeds to remember him, but if the seed perish, Persephone will die, and memory shall pass from the earth.
A man of humble blood, with a soul of Kidron, needs a Rachel, but I labored for years in the weary fields for Leah.II The world is a wound in my soul, and I have sought the living waters in meditation, and the angelical fountains in the desert of Beersheba for solitude, for what health there is in friendship comes when one is alone.
I shed tears on the Mount of Olives because people no longer care for each other, but my friends have lacked the character for the vigil. There is no Cana wine in human affections that are not always awake, for people who do not trouble about each other are foes.
It is humiliating being the lamb and bleating to each passerby, “Feed me!” What is the use of saying that men are stones when I know I am going to try to turn them into bread.
I am afraid to say that people are truthful. When a man tells me he is honest I press my hand close to my heart where I keep my miserable wallet. If he says he has any goodness in him, I avoid him, for I trust nobody who has so little fear of the evils that grow and ripen in us while we imagine we have one virtuous trait. These demons lie in ambush in the thick, heady coverts of the blood, where hypocrisy and egoism fatten, waiting to mock or betray us in any moment of self-esteem.
I have no faith in a meek man, and regard anyone that shows a humble mien as one who is preparing to make an attack upon me, for there is some brutish, nether fault in starved vanity.
Yet once a friend leaned as gently on my coat as that disciple had on the bosom of the Saviour, and I went away, not knowing by his affection whether I was the John Christ was said to have loved most. I whispered thanks to my soul because he leaned upon me, for I shall never know who I am if I am not loved.
V Much flesh walks upon the earth void of heart and warm liver, for it is the spirit that dies soonest.
Some men have marshland natures with mist and sea-water in their intellects, and are as sterile as the Florida earth which De Soto found in those meager, rough Indian settlements, and their tongues are fierce, reedy arrows. They wound and bleed the spirit, and their oaks and chestnut trees and acorns are wild, and a terrible, barren wind from the Atlantic blows through their blood as pitiless as the primitive rivers De Soto’s soldiers could not ford.
Do not attempt to cross these mad, tumid rivers, boreal and brackish, for water is unstable, and you cannot link yourself to it.
There are also inland, domestic men who are timid pulse and vetch, and though they may appear as stupid as poultry rooting in the mire, they are housed people, and they have orchards and good, tamed wine that makes men loving rather than predatory; go to them, and take little thought of their ignorance which brings forth good fruits, for here you may eat and not be on guard for the preservation of your soul.
People who have domestic animals are patient, for atheism and the stony heart are the result of traveling: sorrow never goes anywhere. Were we as content as our forefathers were with labor in the fallow, or as a fuller with his cloth, or a drayman with his horses and mules, we would stay where we are, and that is praying.
There are men that are birds, and their raiment is trembling feathers, for they show their souls to everyone, and everything that is ungentle or untutored or evil or mockery is as a rude stone cast at them, and they suffer all day long, or as Paul remarks they are slain every moment.
God forgive me for my pride; though I would relinquish my own birthright for that wretched pottage of lentils which is friendship, I mistrust every mortal.
Each day the alms I ask of heaven is not to have a new chagrin which is my daily bread.
Out of a high meadow where flowers bloom above cloud, come down; pursue me with reasons for smiling without malice.
Bring mimic pride like that of the seedling fir, surprise in the perfect leg-stems and queries unstirred by recognition or fear pooled in the deep eyes.
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
I ply with all the cunning of my art This little thing, and with consummate care I fashion it—so that when I depart, Those who come after me shall find it fair And beautiful. It must be free of flaws— Pointing no laborings of weary hands;
In Rome on the Campo dei Fiori baskets of olives and lemons, cobbles spattered with wine and the wreckage of flowers. Vendors cover the trestles with rose-pink fish; armfuls of dark grapes heaped on peach-down.
What slender youth, bedew’d with liquid odors, Courts thee on roses in some pleasant cave, Pyrrha? For whom bind’st thou In wreaths thy golden hair, Plain in thy neatness? O how oft shall he Of faith and changed gods complain, and seas Rough with black winds, and storms Unwonted shall admire! Who now enjoys thee credulous, all gold, Who, always vacant, always amiable Hopes thee, of flattering gales Unmindful. Hapless they To whom thou untried seem’st fair. Me, in my vow’d Picture, the sacred wall declares to have hung My dank and dropping weeds
Romance, who loves to nod and sing, With drowsy head and folded wing, Among the green leaves as they shake Far down within some shadowy lake, To me a painted paroquet Hath been—a most familiar bird— Taught me my alphabet to say— To lisp my very earliest word While in the wild wood I did lie, A child—with a most knowing eye. Of late, eternal Condor years So shake the very Heaven on high With tumult as they thunder by, I have no time for idle cares Through gazing on the unquiet sky.
St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
Wheel of sorrow, centerless. Voices, sad without cause, slope upward, expiring on grave summits. Mournfulness of muddy playgrounds, raw smell of rubbers and wrapped lunches when little girls stand in a circle singing of windows and of lovers.
MARIA NEFELE: I walk in thorns in the dark of what’s to happen and what has with my only weapon my only defense my nails purple like cyclamens.
ANTIPHONIST: I saw her everywhere. Holding a glass and staring in space. Lying down listening to records. Walking the streets in wide trousers and an old
At supper time an ondine’s narrow feet made dark tracks on the hearth. Like the heart of a yellow fruit was the fire’s heat, but they rubbed together quite blue with the cold. The sandy hem of her skirt dripped on the floor. She sat there with a silvered cedar knot for a low stool; and I sat opposite, my lips and eyelids hot
From golden showers of the ancient skies, On the first day, and the eternal snow of stars, You once unfastened giant calyxes For the young earth still innocent of scars:
Young gladioli with the necks of swans, Laurels divine, of exiled souls the dream, Vermilion as the modesty of dawns Trod by the footsteps of the seraphim;
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