The Relic

Revives a relic
Liquefies dry blood
Touches a corpse
To the quick
Converts a monster to love—
Who made man from mud

1

At focus in the national
Park’s ellipse a marker
Draws tight the guys of

Miles, opposite the national
Obelisk with its restless oval
Peoples who shall be

Deeply drawn to its

Here, where the noises of the busy town,
The ocean's plunge and roar can enter not,
We stand and gaze around with tearful awe,
And muse upon the consecrated spot.

No signs of life are here: the very prayers
Inscribed around are in a language dead;
The light of the "perpetual lamp" is spent
That an undying radiance was to shed.

What prayers were in this temple offered up,
Wrung from sad hearts that knew no joy on earth,
By these lone exiles of a thousand years,
From the fair sunrise land that gave them birth!

The Muses are turned gossips; they have lost
The buskined step, and clear high-sounding phrase,
Language of gods. Come, then, domestic Muse,
In slip-shod measure loosely prattling on,
Of farm or orchard, pleasant curds and cream,
Or droning flies, or shoes lost in the mire
By little whimpering boy, with rueful face —
Come, Muse, and sing the dreaded washing day.

I

The house near the sea

The houses I had they took away from me. The times
happened to be unpropitious: war, destruction, exile;
sometimes the hunter hits the migratory birds,
sometimes he doesn’t hit them. Hunting
was good in my time, many felt the pellet;
the rest circle aimlessly or go mad in the shelters.

1

On a wall shadowed by lights from the distance
is the screen. Icons come to it dressed in capes
and their eyes reflect the journeys their nomadic
eyes reach from level earth. Narratives are in
the room where the screen waits suspended like
the frame of a girder the worker will place upon
an axis and thus make a frame which he fills with

That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.

For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:

"I found Him in the shining of the stars,
I mark'd Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here

So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.

Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all

As far as clocks—and it is time to think of them—
I have one on my kitchen shelf and it is
flat, with a machine-made flair, a perfect
machine from 1948, at the latest,
and made of shining plastic with the numbers
sharp and clear and slightly magnified in
that heartbreaking post-war style, the cord
too short, though what does it matter, since the mechanism