What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
All night I stumble through the fields of light, And chase in dreams the starry rays divine That shine through soft folds of the robe of night, Hung like a curtain round a sacred shrine.
When daylight dawns I leave the meadows sweet And come back to the dark house built of clay, Over the threshold pass with lagging feet, Open the shutters and let in the day.
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
Because I feel that, in the Heavens above, The angels, whispering to one another, Can find, among their burning terms of love, None so devotional as that of “Mother,” Therefore by that dear name I long have called you— You who are more than mother unto me, And fill my heart of hearts, where Death installed you In setting my Virginia's spirit free.
I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout.
When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair
See, Winter comes to rule the varied year, Sullen and sad, with all his rising train— Vapours, and clouds, and storms. Be these my theme, These, that exalt the soul to solemn thought And heavenly musing. Welcome, kindred glooms! Congenial horrors, hail! With frequent foot, Pleas’d have I, in my cheerful morn of life, When nurs’d by careless solitude I liv’d And sung of Nature with unceasing joy, Pleas’d have I wander’d through your rough domain; Trod the pure virgin-snows, myself as pure; Heard the winds roar, and the big torrent burst; Or seen the deep-fermenting tempest brew’d In the grim evening-sky. Thus pass’d the time, Till through the lucid chambers of the south
While that my soul repairs to her devotion, Here I intomb my flesh, that it betimes May take acquaintance of this heap of dust; To which the blast of death's incessant motion, Fed with the exhalation of our crimes, Drives all at last. Therefore I gladly trust
My body to this school, that it may learn To spell his elements, and find his birth Written in dusty heraldry and lines ; Which dissolution sure doth best discern, Comparing dust with dust, and earth with earth. These laugh at jet, and marble put for signs,
(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed Is this joint work, by double interest thine, Thine by his own, and what is done of mine Inspired by thee, thy secret power impressed.
For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love.
Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill
Whose lives are hidden in God? Whose? Who can now tell what was taken, or where, or how, or whether it was received: how ditched, divested, clamped, sifted, over- laid, raked over, grassed over, spread around, rotted down with leafmould, accepted as civic concrete, reinforceable base cinderblocks:
Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
Before our lives divide for ever, While time is with us and hands are free, (Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea) I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be.
Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne? Though joy be done with and grief be vain, Time shall not sever us wholly in twain;
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
You are a friend then, as I make it out, Of our man Shakespeare, who alone of us Will put an ass's head in Fairyland As he would add a shilling to more shillings, All most harmonious, — and out of his Miraculous inviolable increase Fills Ilion, Rome, or any town you like Of olden time with timeless Englishmen; And I must wonder what you think of him — All you down there where your small Avon flows By Stratford, and where you're an Alderman. Some, for a guess, would have him riding back To be a farrier there, or say a dyer; Or maybe one of your adept surveyors; Or like enough the wizard of all tanners.
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
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