An Altogether Different Language

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

At hawthorn-time in Wiltshire travelling
In search of something chance would never bring,
An old man’s face, by life and weather cut
And coloured,—rough, brown, sweet as any nut,—
A land face, sea-blue-eyed,—hung in my mind
When I had left him many a mile behind.
All he said was: “Nobody can’t stop ’ee. It’s
A footpath, right enough. You see those bits
Of mounds—that’s where they opened up the barrows
Sixty years since, while I was scaring sparrows.
They thought as there was something to find there,
But couldn’t find it, by digging, anywhere.”

To turn back then and seek him, where was the use?
There were three Manningfords,—Abbots, Bohun, and Bruce:

(being a conversation in eight poems between an aged Lucifer and God, though only Lucifer is heard. The time is long after.) 1
invitation

I

The house near the sea

The houses I had they took away from me. The times
happened to be unpropitious: war, destruction, exile;
sometimes the hunter hits the migratory birds,
sometimes he doesn’t hit them. Hunting
was good in my time, many felt the pellet;
the rest circle aimlessly or go mad in the shelters.

And in a little while we broke under the strain:
suppurations ad nauseam, the wanting to be taller,
though it‘s simply about being mysterious, i.e., not taller,
like any tree in any forest.
Mute, the pancake describes you.
It had tiny roman numerals embedded in its rim.
It was a pancake clock. They had ’em in those days,
always getting smaller, which is why they finally became extinct.

We thought it would come, we thought the Germans would come,
were almost certain they would. I was thirty-two,
the youngest assistant curator in the country.
I had some good ideas in those days.

Well, what we did was this. We had boxes
precisely built to every size of canvas.
We put the boxes in the basement and waited.

When word came that the Germans were coming in,

Always just one demon in the attic.
Always just one death in the village. And the dogs
howling in that direction. And from the other end
the new-born child arrives, the only one
to fill the empty space in that wide air.

Likewise also cells infected by a virus
send out a signal all around them and defences
are mobilised so that no other virus

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, — and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him —
All you down there where your small Avon flows
By Stratford, and where you're an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.

Eugen Boissevain died in the autumn of 1949. I had wondered already, at the time of our visit, what would happen to Edna [Millay] if he should die first.—Edmund Wilson