We are both strong, dark, bright men, though perhaps you might not notice, finding two figures flat against the landscape like the shadowed backs of mountains.
Which would not be far from wrong, for though we both have on Western clothes and he is seated on a yellow spool of emptied and forgotten telephone cable
I am the people—the mob—the crowd—the mass. Do you know that all the great work of the world is done through me? I am the workingman, the inventor, the maker of the world’s food and clothes. I am the audience that witnesses history. The Napoleons come from me and the Lincolns. They die. And then I send forth more Napoleons and Lincolns. I am the seed ground. I am a prairie that will stand for much plowing. Terrible storms pass over me. I forget. The best of me is sucked out and wasted. I forget. Everything but Death comes to me and makes me work and give up what I have. And I forget. Sometimes I growl, shake myself and spatter a few red drops for history to remember. Then—I forget. When I, the People, learn to remember, when I, the People, use the lessons of yesterday and no longer forget who robbed me last year, who played me for a fool—then there will be no speaker in all the world say the name: “The People,” with any fleck of a sneer in his voice or any far-off smile of derision. The mob—the crowd—the mass—will arrive then.
The last days of the summer: bright and clear Shines the warm sun down on the quiet land, Where corn-fields, thick and heavy in the ear, Are slowly ripening for the laborer’s hand; Seed-time and harvest — since the bow was set, Not vainly has man hoped your coming yet!
To the quick rush of sickles, joyously The reapers in the yellow wheat-fields sung, And bound the pale sheaves of the ripened rye, When the first tassels of the maize were hung; That precious seed into the furrow cast Earliest in spring-time, crowns the harvest last.
The lean hands of wagon men put out pointing fingers here, picked this crossway, put it on a map, set up their sawbucks, fixed their shotguns, found a hitching place for the pony express, made a hitching place for the iron horse, the one-eyed horse with the fire-spit head,
Out of the cradle endlessly rocking, Out of the mocking-bird’s throat, the musical shuttle, Out of the Ninth-month midnight, Over the sterile sands and the fields beyond, where the child leaving his bed wander’d alone, bareheaded, barefoot, Down from the shower’d halo, Up from the mystic play of shadows twining and twisting as if they were alive, Out from the patches of briers and blackberries, From the memories of the bird that chanted to me,
My brother comes home from work and climbs the stairs to our room. I can hear the bed groan and his shoes drop one by one. You can have it, he says.
The moonlight streams in the window and his unshaven face is whitened like the face of the moon. He will sleep long after noon and waken to find me gone.
I am that which began; Out of me the years roll; Out of me God and man; I am equal and whole; God changes, and man, and the form of them bodily; I am the soul.
Before ever land was, Before ever the sea, Or soft hair of the grass, Or fair limbs of the tree, Or the fresh-coloured fruit of my branches, I was, and thy soul was in me.
First life on my sources First drifted and swam; Out of me are the forces
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