House

This is the house of Bedlam.

This is the man
that lies in the house of Bedlam.

This is the time
of the tragic man
that lies in the house of Bedlam.

This is a wristwatch
telling the time

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

The turtle carries his house on his back. He is both the house and the person of that house.
But actually, under the shell is a little room where the true turtle, wearing long underwear, sits at a little table. At one end of the room a series of levers sticks out of slots in the floor, like the controls of a steam shovel. It is with these that the turtle controls the legs of his house.
Most of the time the turtle sits under the sloping ceiling of his turtle room reading catalogues at the little table where a candle burns. He leans on one elbow, and then the other. He crosses one leg, and then the other. Finally he yawns and buries his head in his arms and sleeps.
If he feels a child picking up his house he quickly douses the candle and runs to the control levers and activates the legs of his house and tries to escape.
If he cannot escape he retracts the legs and withdraws the so-called head and waits. He knows that children are careless, and that there will come a time when he will be free to move his house to some secluded place, where he will relight his candle, take out his catalogues and read until at last he yawns. Then he’ll bury his head in his arms and sleep....That is, until another child picks up his house....

(Kamo-no-Chomei, born at Kamo 1154, died at Toyama on Mount Hino, 24th June 1216)

There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such subjects as
“Herefords at Sunset in the Valley of the Wye.”
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules

The mountain north of Pasadena has severe
and angular back canyons where the light is always
unexpected, out of place, too simple for the
clutter of the granite blocks along the creeks.
The slopes have low rough shrubs, some firebreaks.
It rains sometimes, and then the soils wash easily
through Rubio and Eaton canyons to the small
catch-basins and the storage tanks. The bedrocks

"You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney

i

Gilgamesh spoke and said to the old man then:
"When I looked at you I thought that you were not

a man, one made like me; I had resolved
to challenge you as one might challenge a demon,

a stranger-adversary. But now I see
that you are Utnapishtim, made like me,

a man, the one I sought, the one from whom

Ur ol’ Hyar lib in ur house on de hill,
He hunner yurs ol’ an’ nebber wuz ill;
He yurs dee so long an’ he eyes so beeg,
An’ he laigs so spry dat he dawnce ur jeeg;
He lib so long dat he know ebbry tings
’Bout de beas’ses dat walks an’ de bu’ds dat sings—
Dis Ol’ Doc’ Hyar,
Whar lib up dar
Een ur mighty fine house on ur mighty high hill.

He doctah fur all de beas’ses an’ bu’ds—
He put on he specs an’ he use beeg wu’ds,
He feel dee pu’s’ den he look mighty wise,
He pull out he watch an’ he shet bofe eyes;
He grab up he hat an’ grab up he cane,

That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.

For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:

"I found Him in the shining of the stars,
I mark'd Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here

1.

It unfolds and ripples like a banner, downward. All the stories
come folding out. The smells and flowers begin to come back, as
the tapestry is brightly colored and brocaded. Rabbits and violets.

Who asked you to come over? She got her foot in the door and
would not remove it, elbowing and talking swiftly. Gas leak?
that sounds like a very existential position; perhaps you had
better check with the landlord.

One hour: as dim he and his house now look
As a reflection in a rippling brook,
While I remember him; but first, his house.
Empty it sounded. It was dark with forest boughs
That brushed the walls and made the mossy tiles
Part of the squirrels’ track. In all those miles
Of forest silence and forest murmur, only
One house—“Lonely!” he said, “I wish it were lonely”—
Which the trees looked upon from every side,
And that was his.

He waved good-bye to hide
A sigh that he converted to a laugh.
He seemed to hang rather than stand there, half
Ghost-like, half like a beggar’s rag, clean wrung

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both. Here I am, an old man in a dry month,

When the eye

When the edgeless screen receiving
light from the edgeless universe

When the eye first

When the edgeless screen facing
outward as if hypnotized by the edgeless universe

When the eye first saw that it

Hungry for more light

1

It was nearly daylight when she gave birth to the child,
lying on a quilt
he had doubled up for her.
He put the child on his left arm
and took it out of the room,
and she could hear the splashing water.
When he came back

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, — and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him —
All you down there where your small Avon flows
By Stratford, and where you're an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.

Part Four of “Pro Femina” At Samoa, hardly unpacked, I commenced planting,
When I’d opened the chicken crates, built the Cochins a coop.

I came an errand one cloud-blowing evening
To a slab-built, black-paper-covered house
Of one room and one window and one door,
The only dwelling in a waste cut over
A hundred square miles round it in the mountains:
And that not dwelt in now by men or women.
(It never had been dwelt in, though, by women,
So what is this I make a sorrow of?)

Here, in this darkened room of this old house,
I sit beside the fire. I hear again,
Within, the scutter where the mice carouse,
Without, the gutter dropping with the rain.
Opposite, are black shelves of wormy books,
To left, glazed cases, dusty with the same,
Behind, a wall, with rusty guns on hooks,
To right, the fire, that chokes one panting flame.

1

I always wonder
what they think the niggers are doing
while they, the pink and alabaster pragmatists,
are containing
Russia
and defining and re-defining and re-aligning
China,