Frog

Be kind and tender to the Frog,
And do not call him names,
As ‘Slimy skin,’ or ‘Polly-wog,’
Or likewise ‘Ugly James,’
Or ‘Gape-a-grin,’ or ‘Toad-gone-wrong,’
Or ‘Billy Bandy-knees’:
The Frog is justly sensitive
To epithets like these.

All year the flax-dam festered in the heart
Of the townland; green and heavy headed
Flax had rotted there, weighted down by huge sods.
Daily it sweltered in the punishing sun.
Bubbles gargled delicately, bluebottles
Wove a strong gauze of sound around the smell.
There were dragonflies, spotted butterflies,
But best of all was the warm thick slobber

Three years, Huang Gongwang
worked on his famous handscroll,
Dwelling in the Fuchun Mountains.

As he put successive applications of ink to paper
over the “one burst of creation,” his original design,
it is said he often sang like a tree frog
and danced on his old bare feet.

One day, he adds one hemp fiber stroke,
the next a moss dot.

What patience he had,
like a cat who comes back season after season to a mole’s tunnel.

First Psalm

Let there be a God as large as a sunlamp to laugh his heat at you.

Let there be an earth with a form like a jigsaw and let it fit for all of ye.

Let there be the darkness of a darkroom out of the deep. A worm room.

Let there be a God who sees light at the end of a long thin pipe and lets it in.

Let God divide them in half.

Let God share his Hoodsie.

Let the waters divide so that God may wash his face in first light.

Still will I harvest beauty where it grows:
In coloured fungus and the spotted fog
Surprised on foods forgotten; in ditch and bog
Filmed brilliant with irregular rainbows
Of rust and oil, where half a city throws
Its empty tins; and in some spongy log
Whence headlong leaps the oozy emerald frog. . . .
And a black pupil in the green scum shows.

So it has come to this –
insomnia at 3:15 A.M.,
the clock tolling its engine

like a frog following
a sundial yet having an electric
seizure at the quarter hour.

The business of words keeps me awake.
I am drinking cocoa,

In those days, though, I never analysed
Myself even. All analysis comes late.
You catch a sight of Nature, earliest,
In full front sun-face, and your eyelids wink
And drop before the wonder of ‘t; you miss
The form, through seeing the light. I lived, those days,
And wrote because I lived–unlicensed else:
My heart beat in my brain. Life’s violent flood

Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy
and call it art. We were piloted by Auden who became
Unbearably acrimonious when we dropped off Senghor into the
steamy skies of his beloved West Africa. The termites and ants

I

My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:

to Rimbaud Two pages to a grape fable
dangles the swan of samite blood

I like to lie with you wordless
on black cloud rooft beach
in late june 5 o’clock tempest
on clump weed bed with sand
fitting your contours like tailor made

and I like to wash my summer brown face
in north cold hudson rapids
with octagon soap

There is less difficulty—indeed, no logical difficulty at all—in
imagining two portions of the universe, say two galaxies, in which
time goes one way in one galaxy and the opposite way in the
other. . . . Intelligent beings in each galaxy would regard their own
time as “forward” and time in the other galaxy as “backward.”
—Martin Gardner, in Scientific American

1.

After the sweet promise,
the summer’s mild retreat
from mother’s cancer, the winter months of her death,
I come to this white office, its sterile sheet,
its hard tablet, its stirrups, to hold my breath
while I, who must, allow the glove its oily rape,
to hear the almost mighty doctor over me equate

for Kenward Elmslie
Up from the valley

There’s more in words than I can teach:
Yet listen, Child! — I would not preach;
But only give some plain directions
To guide your speech and your affections.
Say not you love a roasted fowl
But you may love a screaming owl,
And, if you can, the unwieldy toad
That crawls from his secure abode
Within the mossy garden wall
When evening dews begin to fall,
Oh! mark the beauty of his eye:
What wonders in that circle lie!
So clear, so bright, our fathers said
He wears a jewel in his head!
And when, upon some showery day,

The moon came late to a lonesome bog,
And there sat Goggleky Gluck, the frog.
‘My stars!’ she cried, and veiled her face,
‘What very grand people they have in this place!’

Kids once carried tin soldiers in their pockets as charms
against being afraid, but how trust soldiers these days
not to load up, aim, blast the pants off your legs?

I have a key-chain zebra I bought at the Thanksgiving fair.
How do I know she won't kick, or bite at my crotch?
Because she's been murdered, machine-gunned: she's dead.

Also, she's a she: even so crudely carved, you can tell
by the sway of her belly a foal's inside her.
Even murdered mothers don't hurt people, do they?

And how know she's murdered? Isn't everything murdered?
Some dictator's thugs, some rebels, some poachers;
some drought, world-drought, world-rot, pollution, extinction.

The Visconti put you on their flag: a snake
devouring a child, or are you throwing up a man
feet first? Some snakes hunt frogs, some freedom of will.
There’s good in you: a man can count years on your skin.
Generously, you mother and father a stolen boy,
to the chosen you offer your cake of figs.
A goiter on my neck, you lick my ear with lies,
yet I must listen, smile and kiss your cheek

Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.

Every day I will give you a color,
like a new flower in a bud vase

Hark how the Mower Damon sung,
With love of Juliana stung!
While everything did seem to paint
The scene more fit for his complaint.
Like her fair eyes the day was fair,
But scorching like his am’rous care.
Sharp like his scythe his sorrow was,
And withered like his hopes the grass.

‘Oh what unusual heats are here,
Which thus our sunburned meadows sear!
The grasshopper its pipe gives o’er;
And hamstringed frogs can dance no more.
But in the brook the green frog wades;
And grasshoppers seek out the shades.