Frederick Seidel

Right now, a dog tied up in the street is barking
With the grief of being left,
A dog bereft.
Right now, a car is parking.

The dog emits
Petals of a barking flower and barking flakes of snow
That float upward from the street below
To where another victim sits:

The speckled pigeon standing on the ledge
Outside the window is Jack Kennedy—
Standing on one leg and looking jerkily around
And staring straight into the room at me.

Ask not what your country can do for you—
Ask what you can do for your country.
Here’s how.
That wouldn’t be the way I’d do it.

The fellow talking to himself is me,
Though I don't know it. That's to say, I see
Him every morning shave and comb his hair
And then lose track of him until he starts to care,
Inflating sex dolls out of thin air
In front of his computer, in a battered leather chair
That needs to be thrown out . . . then I lose track
Until he strides along the sidewalk on the attack

We drank our faces off until the sun arrived,
Night after night, and most of us survived
To waft outside to sunrise on Second Avenue,
And felt a kind of Wordsworth wonderment—the morning new,
The sidewalk fresh as morning dew—and us new, too.

How wonderful to be so magnified.
Every Scotch and soda had been usefully applied.
You were who you weren't till now.

I live a life of appetite and, yes, that's right,
I live a life of privilege in New York,
Eating buttered toast in bed with cunty fingers on Sunday morning.
Say that again?
I have a rule—
I never give to beggars in the street who hold their hands out.

I woke up this morning in my air-conditioning.
At the end of my legs were my feet.

I’m talking about Mount Street.
Jackhammers give it the staggers.
They’re tearing up dear Mount Street.
It’s got a torn-up face like Mick Jagger’s.

I mean, this is Mount Street!
Scott’s restaurant, the choicest oysters, brilliant fish;
Purdey, the great shotgun maker—the street is complete
Posh plush and (except for Marc Jacobs) so English.

Remember the old Mount Street,
The quiet that perfumed the air
Like a flowering tree and smelled sweet
As only money can smell, because after all this was Mayfair?

A dinosaur egg opens in a lab
And out steps my paternal grandfather, Sam,
Already taller than a man,
And on his way to becoming a stomping mile-high predator, so I ran.
I never knew my mother’s father, who may have been a suicide.
He was buried in a pauper’s grave my mother tried
To find, without success. Jews grab
The thing they love unless it’s ham,
And hold it tightly to them lest it die—
Or like my mother try
To find the ham they couldn’t hold.
A hot ham does get cold.
Grampa, monster of malevolence,
I’m told was actually a rare old-fashioned gentleman of courtly benevolence.

Snow is what it does.
It falls and it stays and it goes.
It melts and it is here somewhere.
We all will get there.

I like the part I play.
They’ve cast me as Pompeii
The day before the day.
It’s my brilliant performance as a luxury man because I act that way.
They say: Just wait, you’ll see, you’ll pay,
Pompeii.

You’re a miracle in a whirlpool
In your blind date’s vagina
At your age. Nothin could be fina.
You eat off her bone china.
Don’t be a ghoul. Don’t be a fool,
You fool.

In the lifelong month of May,

My girlfriend is a miracle.
She’s so young but she’s so beautiful.
So is her new bikini trim,
A waxed-to-neatness center strip of quim.

Now there’s a word you haven’t heard for a while.
It makes me smile.
It makes me think of James Joyce.
You hear his Oirish voice.

It’s spring on Broadway, and in the center strip mall
The trees are all
Excited to be beginning.
My girlfriend’s amazing waxing keeps grinning.

So the sun is shining blindingly but I can sort of see.
It’s like looking at Mandela’s moral beauty.
The dying leaves are sizzling on the trees
In a shirtsleeves summer breeze.

But daylight saving is over.
And gaveling the courtroom to order with a four-leaf clover
Is over. And it’s altogether November.
And the Pellegrino bubbles rise to the surface and dismember.