Joanne Kyger

NOTES FROM THE REVOLUTION During the beat of this story you may find other beats. I mean
a beat, I mean Cantus, I mean Firm us, I mean paper, I mean in
the Kingdom which is coming, which is here in discovery.

When I used to focus on the worries, everybody
was ahead of me, I was the bottom
of the totem pole,
a largely spread squat animal.

How about a quick massage now, he said to me.
I don’t think it’s cool, I replied.
Oh, said he, after a pause, I should have waited
for you to ask me.

In Tamalpais is a big crystal. An acquaintance told
me the story. A Miwok was giving his grandfather’s medicine
bag to the Kroeber Museum in Berkeley. He said this man
took him over the mountain Tamalpais, at a certain time
in the year. I believe it was about the time of the
Winter Solstice, because then the tides are really low.
They stopped and gathered a certain plant on the way over

He is pruning the privet

of sickly sorrow desolation
in loose pieces of air he goes clip clip clip
the green blooming branches fall—‘they’re getting out
of hand’ delirious and adorable what a switch
we perceive multiple
identities when you sing so beautifully the shifting

The grasses are light brown
and the ocean comes in
long shimmering lines
under the fleet from last night
which dozes now in the early morning

Here and there horses graze
on somebody’s acreage

1.

It unfolds and ripples like a banner, downward. All the stories
come folding out. The smells and flowers begin to come back, as
the tapestry is brightly colored and brocaded. Rabbits and violets.

Who asked you to come over? She got her foot in the door and
would not remove it, elbowing and talking swiftly. Gas leak?
that sounds like a very existential position; perhaps you had
better check with the landlord.