Louis Simpson

Whatever it is, it must have
A stomach that can digest
Rubber, coal, uranium, moons, poems.

Like the shark it contains a shoe.
It must swim for miles through the desert
Uttering cries that are almost human.

In my grandmother’s house there was always chicken soup
And talk of the old country—mud and boards,
Poverty,
The snow falling down the necks of lovers.

Now and then, out of her savings
She sent them a dowry. Imagine
The rice-powdered faces!
And the smell of the bride, like chicken soup.

. . . life which does not give the preference to any other life, of any
previous period, which therefore prefers its own existence . . .
Ortega y Gasset

Vandergast to his neighbors—
the grinding of a garage door
and hiss of gravel in the driveway.

He worked for the insurance company
whose talisman is a phoenix
rising in flames ... non omnis moriar.
From his desk he had a view of the street—

translucent raincoats, and umbrellas,

The dark streets are deserted,
With only a drugstore glowing
Softly, like a sleeping body;

With one white, naked bulb
In the back, that shines
On suicides and abortions.

Who lives in these dark houses?
I am suddenly aware

Trees in the old days used to stand
And shape a shady lane
Where lovers wandered hand in hand
Who came from Carentan.

This was the shining green canal
Where we came two by two
Walking at combat-interval.
Such trees we never knew.

I dreamed that in a city dark as Paris
I stood alone in a deserted square.
The night was trembling with a violet
Expectancy. At the far edge it moved
And rumbled; on that flickering horizon
The guns were pumping color in the sky.

There was the Front. But I was lonely here,
Left behind, abandoned by the army.

In the clear light that confuses everything
Only you, dark laurel,
Shadow my house,

Lifting your arms in the anguish
Of nature at the stake.
And at night, quivering with tears,

You are like the tree called Tasso’s.
Crippled, and hooped with iron,

I wake and feel the city trembling.
Yes, there is something unsettled in the air
And the earth is uncertain.

And so it was for the tenor Caruso.
He couldn’t sleep—you know how the ovation
Rings in your ears, and you re-sing your part.

And then the ceiling trembled
And the floor moved. He ran into the street.

The man who married Magdalene
Had not forgiven her.
God might pardon every sin ...
Love is no pardoner.

Her hands were hollow, pale, and blue,
Her mouth like watered wine.
He watched to see if she were true
And waited for a sign.

It was old harlotry, he guessed,
That drained her strength away,
So gladly for the dark she dressed,
So sadly for the day.

My father in the night commanding No
Has work to do. Smoke issues from his lips;
He reads in silence.
The frogs are croaking and the street lamps glow.

And then my mother winds the gramophone;
The Bride of Lammermoor begins to shriek—
Or reads a story—
About a prince, a castle, and a dragon.

On the lawn at the villa—
That’s the way to start, eh, reader?
We know where we stand—somewhere expensive—
You and I imperturbes, as Walt would say,
Before the diversions of wealth, you and I engagés.

On the lawn at the villa
Sat a manufacturer of explosives,
His wife from Paris,

Swing and sway with Sammy Kaye Everyone at Lake Kearney had a nickname:
there was a Bumstead, a Tonto, a Tex,

Look! From my window there’s a view
of city streets
where only lives as dry as tortoises
can crawl—the Gallapagos of desire.

There is the day of Negroes with red hair
and the day of insane women on the subway;
there is the day of the word Trieste
and the night of the blind man with the electric guitar.

A man stood in the laurel tree
Adjusting his hands and feet to the boughs.
He said, “Today I was breaking stones
On a mountain road in Asia,

When suddenly I had a vision
Of mankind, like grass and flowers,
The same over all the earth.
We forgave each other; we gave ourselves

A siren sang, and Europe turned away
From the high castle and the shepherd’s crook.
Three caravels went sailing to Cathay
On the strange ocean, and the captains shook
Their banners out across the Mexique Bay.

And in our early days we did the same.
Remembering our fathers in their wreck
We crossed the sea from Palos where they came

A man walks beside them
with a whip that he cracks.
The cart they draw is painted
with Saracens and Crusaders,
fierce eyes and ranks of spears.

They are on the steep road
that goes up the mountain.
Their neat-stepping hoofs