Léonie Adams

Then I was sealed, and like the wintering tree
I stood me locked upon a summer core;
Living, had died a death, and asked no more.
And I lived then, but as enduringly,
And my heart beat, but only as to be.
Ill weathers well, hail, gust and cold I bore,
I held my life as hid, at root, in store:
Thus I lived then, till this air breathed on me.

These lovers’ inklings which our loves enmesh,
Lost to the cunning and dimensional eye,
Though tenemented in the selves we see,
Not more perforce than azure to the sky,
Were necromancy-juggled to the flesh,
And startled from no daylight you or me.

For trance and silvemess those moons commend,
Which blanch the warm life silver-pale; or look

A fall over rock,
Metal answering to water,
Is the seal of this spot;
A land trodden by music
And the tune forgot.

Of a region savage,
The territory that was broken,
Silver gushed free;

Now the rich cherry, whose sleek wood,
And top with silver petals traced
Like a strict box its gems encased,
Has spilt from out that cunning lid,
All in an innocent green round,
Those melting rubies which it hid;
With moss ripe-strawberry-encrusted,
So birds get half, and minds lapse merry

Gold shed upon suckling gold,
The time of the bole blackens,
Of the dark mounted through dapple,
While in the sealed apple
The seed cradled toward cold.
A gold on gold spent,
Put by from an elm in its years
Now its gilded of days,

This that is washed with weed and pebblestone
Curved once a dolphin’s length before the prow,
And I who read the land to which we bore
In its grave eyes, question my idol now,
What cold and marvelous fancy it may keep,
Since the salt terror swept us from our course,
Or if a wisdom later than the storm,
For old green ocean’s tinctured it so deep;

I was enriched, not casting after marvels,
But as one walking in a usual place,
Without desert but common eyes and ears,
No recourse but to hear, power but to see,
Got to love you of grace.

Subtle musicians, that could body wind,
Or contrive strings to anguish, in conceit
Random and artless strung a branch with bells,

Now I have tempered haste,
The joyous traveller said,
The steed has passed me now
Whose hurrying hooves I fled.
My spectre rides thereon,
I learned what mount he has,
Upon what summers fed;
And wept to know again,

Light at each point was beating then to flight,
The sapling bark flushed upward, and the welling
Tips of the wood touched, touched at the bound,
And boughs were slight and burdened beyond telling
Toward that caress of the boughs a summer’s night,
Illimitable in fragrance and in sound.

Here were the blue buds, earlier than hope,
Unnumbered, beneath the leaves, a breath apart,

Send forth the high falcon flying after the mind
Till it come toppling down from its cold cloud:
The beak of the falcon to pierce it till it fall
Where the simple heart is bowed.
O in wild innocence it rides
The rare ungovernable element,
But once it sways to terror and descent,
The marches of the wind are its abyss,

When tunes jigged nimbler than the blood
And quick and high the bows would prance
And every fiddle string would burst
To catch what’s lost beyond the string,
While half afraid their children stood,
I saw the old come out to dance.
The heart is not so light at first,
But heavy like a bough in spring.

(From a Persian Carpet) Ash and strewments, the first moth-wings, pale
Ardour of brief evenings, on the fecund wind;

This is the time lean woods shall spend
A steeped-up twilight, and the pale evening drink,
And the perilous roe, the leaper to the west brink,
Trembling and bright to the caverned cloud descend.

Now shall you see pent oak gone gusty and frantic,
Stooped with dry weeping, ruinously unloosing
The sparse disheveled leaf, or reared and tossing
A dreary scarecrow bough in funeral antic.