Robert Graves

R
Robert Graves
Two Fusiliers
And have we done with War at last? Well, we've been lucky devils both, And there's no need of pledge or oath
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Sergeant-Major Money
It wasn't our battalion, but we lay alongside it,
So the story is as true as the telling is frank.
They hadn't one Line-officer left, after Arras,
Except a batty major and the Colonel, who drank.

'B' Company Commander was fresh from the Depot,
An expert on gas drill, otherwise a dud;
So Sergeant-Major Money carried on, as instructed,
And that's where the swaddies began to sweat blood.
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A Boy in Church
‘Gabble-gabble, . . . brethren, . . . gabble-gabble!’
My window frames forest and heather.
I hardly hear the tuneful babble,
Not knowing nor much caring whether
The text is praise or exhortation,
Prayer or thanksgiving, or damnation.

Outside it blows wetter and wetter,
The tossing trees never stay still.
I shift my elbows to catch better
The full round sweep of heathered hill.
The tortured copse bends to and fro
In silence like a shadow-show.

The parson’s voice runs like a river
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Nursery Memories
I. – THE FIRST FUNERAL

(The first corpse I saw was on the
German wires, and couldn’t be buried)

The whole field was so smelly;
We smelt the poor dog first:
His horrid swollen belly
Looked just like going burst.

His fur was most untidy;
He hadn’t any eyes.
It happened on Good Friday
And there was lots of flies.

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The Spoilsport
My familiar ghost again
Comes to see what he can see,
Critic, son of Conscious Brain,
Spying on our privacy.

Slam the window, bolt the door,
Yet he’ll enter in and stay;
In to-morrow’s book he’ll score
Indiscretions of to-day.

Whispered love and muttered fears,
How their echoes fly about!
None escape his watchful ears,
Every sigh might be a shout.

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To an Ungentle Critic
The great sun sinks behind the town
Through a red mist of Volnay wine . . . .
But what’s the use of setting down
That glorious blaze behind the town?
You’ll only skip the page, you’ll look
For newer pictures in this book;
You’ve read of sunsets rich as mine.

A fresh wind fills the evening air
With horrid crying of night birds . . . .
But what reads new or curious there
When cold winds fly across the air?
You’ll only frown; you’ll turn the page,
But find no glimpse of your ‘New Age
Of Poetry’ in my worn-out words.
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The God Called Poetry
Now I begin to know at last,
These nights when I sit down to rhyme,
The form and measure of that vast
God we call Poetry, he who stoops
And leaps me through his paper hoops
A little higher every time.

Tempts me to think I’ll grow a proper
Singing cricket or grass-hopper
Making prodigious jumps in air
While shaken crowds about me stare
Aghast, and I sing, growing bolder
To fly up on my master’s shoulder
Rustling the thick stands of his hair.

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The Kiss
Are you shaken, are you stirred
By a whisper of love,
Spellbound to a word
Does Time cease to move,
Till her calm grey eye
Expands to a sky
And the clouds of her hair
Like storms go by?

Then the lips that you have kissed
Turn to frost and fire,
And a white-steaming mist
Obscures desire:
So back to their birth
Fade water, air, earth,
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A Renascence
White flabbiness goes brown and lean,
Dumpling arms are now brass bars,
They’ve learnt to suffer and live clean,
And to think below the stars.

They’ve steeled a tender, girlish heart,
Tempered it with a man’s pride,
Learning to play the butcher’s part
Though the woman screams inside—

Learning to leap the parapet,
Face the open rush, and then
To stab with the stark bayonet,
Side by side with fighting men.

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Ghost-Raddled
“Come, surly fellow, come! A song!
“What, madmen? Sing to you?
Choose from the clouded tales of wrong
And terror I bring to you.

Of a night so torn with cries,
Honest men sleeping
Start awake with glaring eyes,
Bone chilled, flesh creeping.

Of spirits in the web-hung room
Up above the stable,
Groans, knocking in the gloom
The dancing table.

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On the Poet’s Birth
A page, a huntsman and a priest of God
Her lovers, met in jealous contrariety
Equally claiming the sole parenthood
Of him the perfect crown of their variety.
Then, whom to admit, herself she could not tell:
That always was her fate, she loved too well.

“But many-fathered little one,” she said,
“Whether of high or low, of smooth or rough,
Here is your mother whom you brought to bed;
Acknowledge only me; be this enough;
For such as worship after shall be told
A white dove sired you or a rain of gold.”

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A Valentine
The hunter to the husbandman
Pays tribute since our love began,
And to love-loyalty dedicates
The phantom kills he meditates.
Let me embrace, embracing you,
Beauty of other shape and hue,
Odd glinting graces of which none
Shone more than candle to your sun;
Your well-kissed hand was beckoning me
In unfamiliar imagery.
Smile your forgiveness: each bright ghost
Dives in love’s glory and is lost
Yielding your comprehensive pride
A homage, even to suicide.

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Vain and Careless
Lady, lovely lady,
Careless and gay!
Once when a beggar called
She gave her child away.

The beggar took the baby,
Wrapped it in a shawl,
“Bring her back,” the lady said,
“Next time you call.”

Hard by lived a vain man,
So vain and so proud,
He walked on stilts
To be seen by the crowd.

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Down, Wanton, Down!
Down, wanton, down! Have you no shame
That at the whisper of Love’s name,
Or Beauty’s, presto! up you raise
Your angry head and stand at gaze?

Poor Bombard-captain, sworn to reach
The ravelin and effect a breach –
Indifferent what you storm or why,
So be that in the breach you die!

Love may be blind, but Love at least
Knows what is man and what mere beast;
Or Beauty wayward, but requires
More delicacy from her squires.

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