It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower. Have I come in. Will in suggestion. They may like hours in catching. It is always a pleasure to remember. Have a habit. Any name will very well wear better. All who live round about there. Have a manner. The hotel François Ier. Just winter so. It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double. Having noticed often that it is newly noticed which makes older often. The world has become smaller and more beautiful. The world is grown smaller and more beautiful. That is it. Yes that is it.
Oh! yet one smile, tho' dark may lower Around thee clouds of woe and ill, Let me yet feel that I have power, Mid Fate's bleak storms, to soothe thee still.
Tho' sadness be upon thy brow, Yet let it turn, dear love, to me, I cannot bear that thou should'st know Sorrow I do not share with thee.
Where is the promise of my years; Once written on my brow? Ere errors, agonies and fears Brought with them all that speaks in tears, Ere I had sunk beneath my peers; Where sleeps that promise now?
Naught lingers to redeem those hours, Still, still to memory sweet! The flowers that bloomed in sunny bowers Are withered all; and Evil towers Supreme above her sister powers Of Sorrow and Deceit.
'There it is!– You play beside a death-bed like a child, Yet measure to yourself a prophet's place To teach the living. None of all these things, Can women understand. You generalise, Oh, nothing!–not even grief! Your quick-breathed hearts, So sympathetic to the personal pang,
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
(Double Portrait in a Mirror)
I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.
And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.”
But none of my neighbours came to look upon my Joy, and great was my astonishment.
And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited.
Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips.
Then my Joy died of isolation.
And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.
In Rome on the Campo dei Fiori baskets of olives and lemons, cobbles spattered with wine and the wreckage of flowers. Vendors cover the trestles with rose-pink fish; armfuls of dark grapes heaped on peach-down.
Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
You are a friend then, as I make it out, Of our man Shakespeare, who alone of us Will put an ass's head in Fairyland As he would add a shilling to more shillings, All most harmonious, — and out of his Miraculous inviolable increase Fills Ilion, Rome, or any town you like Of olden time with timeless Englishmen; And I must wonder what you think of him — All you down there where your small Avon flows By Stratford, and where you're an Alderman. Some, for a guess, would have him riding back To be a farrier there, or say a dyer; Or maybe one of your adept surveyors; Or like enough the wizard of all tanners.
I In a far country, and a distant age, Ere sprites and fays had bade farewell to earth, A boy was born of humble parentage; The stars that shone upon his lonely birth Did seem to promise sovereignty and fame— Yet no tradition hath preserved his name.
II ’T is said that on the night when he was born, A beauteous shape swept slowly through the room; Its eyes broke on the infant like a morn, And his cheek brightened like a rose in bloom;
I watched thee when the foe was at our side, Ready to strike at him—or thee and me, Were safety hopeless—rather than divide Aught with one loved save love and liberty.
My sister! my sweet sister! if a name Dearer and purer were, it should be thine. Mountains and seas divide us, but I claim No tears, but tenderness to answer mine: Go where I will, to me thou art the same A lov'd regret which I would not resign. There yet are two things in my destiny— A world to roam through, and a home with thee.
St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
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