The Donkey

First Psalm

Let there be a God as large as a sunlamp to laugh his heat at you.

Let there be an earth with a form like a jigsaw and let it fit for all of ye.

Let there be the darkness of a darkroom out of the deep. A worm room.

Let there be a God who sees light at the end of a long thin pipe and lets it in.

Let God divide them in half.

Let God share his Hoodsie.

Let the waters divide so that God may wash his face in first light.

I

The leaves of blue came drifting down.
In the corner Madeleine Reierbacher was reading Lorna Doone.
The bay’s water helped to implement the structuring of the garden hose.
The envelope fell. Was it pink or was it red? Consult Lorna Doone.
There, voyager, you will find your answer. The savant grapeade stands
Remember Madeleine Reierbacher. Madeleine Reierbacher says,
“If you are happy, there is no one to keep you from being happy;

It waits. While I am walking through the pine trees
along the river, it is waiting. It has waited a long time.
In southern France, in Belgium, and even Alabama.
Now it waits in New England while I say grace over
almost everything: for a possum dead on someone’s lawn,
the sing light on a levee while Northampton sleeps,
and because the lanes between houses in Greek hamlets
are exactly the width of a donkey loaded on each side

There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such subjects as
“Herefords at Sunset in the Valley of the Wye.”
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules

A tree that grew in the Garden of Eden
a tree of innocence called
the Tree of Good and Evil. It was harmless

as opposites are in balance. It was also
tasteless,
the taste of innocence before it is betrayed.
When God removed the wall

he gave the lemon thorns and bitterness because it had

At hawthorn-time in Wiltshire travelling
In search of something chance would never bring,
An old man’s face, by life and weather cut
And coloured,—rough, brown, sweet as any nut,—
A land face, sea-blue-eyed,—hung in my mind
When I had left him many a mile behind.
All he said was: “Nobody can’t stop ’ee. It’s
A footpath, right enough. You see those bits
Of mounds—that’s where they opened up the barrows
Sixty years since, while I was scaring sparrows.
They thought as there was something to find there,
But couldn’t find it, by digging, anywhere.”

To turn back then and seek him, where was the use?
There were three Manningfords,—Abbots, Bohun, and Bruce:

When the eye

When the edgeless screen receiving
light from the edgeless universe

When the eye first

When the edgeless screen facing
outward as if hypnotized by the edgeless universe

When the eye first saw that it

Hungry for more light

a trembling old man dreams of a chinese garden
a comical old man dreams of newspapers under his rabbi's hat



a simple tavernkeeper dreams of icicles & fisheyes
a sinister tavernkeeper dreams of puddles with an angel of the law in every drop



the furrier's plump daughter is dreaming of a patch of old vanilla
the furrier's foreign daughter is dreaming of a hat from which a marten hangs



the proud accountant dreams of a trolleycar over the frozen river
the reluctant accountant dreams of his feet sleep in a fresh pair of red socks

Freely beside me the vineyards are running and unbridled
Remains the sky. Wildfires trade pinecones and one
Donkey bolts uphill
for a little cloud
St. Heracleitos’s day and something’s up
That even noses can’t diagnose:
Tricks of a shoeless wind snagging the hem
Of Fate’s nightgown and leaving

It’s not solely the dance
of the juggler but his spirit:
with its turkey wings, perfect thighs,
sensuous hips, large round flat eye.
This eye smiles like lips.
Watch this eye—
it’s not a donkey eye.

It’s not solely the dancer

You could pick it up by the loose flap of a roof
and all the houses would come up together
in the same pattern attached, inseparable

white cubes, olive trees, flowers
dangling from your hand
a few donkey hooves might stick out

flailing the air for balance,
but the old women would cling like sea urchins

Aulder than mammoth or than mastodon
Deep i’ the herts o’ a’ men lurk scaut-heid
Skrymmorie monsters few daur look upon.
Brides sometimes catch their wild een, scansin’ reid,
Beekin’ abune the herts they thocht to lo’e
And horror-stricken ken that i’ themselves
A like beast stan’s, and lookin’ love thro’ and thro’
Meets the reid een wi’ een like seevun hells.

Pitch here the tent, while the old horse grazes:
By the old hedge-side we'll halt a stage.
It's nigh my last above the daisies:
My next leaf'll be man's blank page.
Yes, my old girl! and it's no use crying:
Juggler, constable, king, must bow.
One that outjuggles all's been spying
Long to have me, and he has me now.

1. THE SACRIFICE

On this tile
the knife
like a sickle-moon hangs
in the painted air
as if it had learned a dance
of its own,
the way the boy has