You Smiled, You Spoke, and I Believed

O living pictures of the dead,
O songs without a sound,
O fellowship whose phantom tread
Hallows a phantom ground—
How in a gleam have these revealed
The faith we had not found.

We have sought God in a cloudy Heaven,
We have passed by God on earth:
His seven sins and his sorrows seven,
His wayworn mood and mirth,
Like a ragged cloak have hid from us
The secret of his birth.

Brother of men, when now I see

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair

I’ll tell thee now (dear Love) what thou shalt do
To anger destiny, as she doth us,
How I shall stay, though she esloygne me thus
And how posterity shall know it too;
How thine may out-endure
Sybil’s glory, and obscure
Her who from Pindar could allure,
And her, through whose help Lucan is not lame,
And her, whose book (they say) Homer did find, and name.

Study our manuscripts, those myriads
Of letters, which have past twixt thee and me,
Thence write our annals, and in them will be
To all whom love’s subliming fire invades,
Rule and example found;

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.

Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;

Late in the cold night wakened, and heard wind,
And lay with eyes closed and silent, knowing
These words how bodiless they are, this darkness
Empty under my roof and the panes rattling
Roughed by wind. And so lay and imagined
Somewhere far off black seas heavy-shouldered
Plunging on sand and the ebb off-streaming and
Thunder forever. So lying bethought me, friend,

Her arms around me—child—
Around my head, hugging with her whole arms,
Whole arms as if I were a loved and native rock,
The apple in her hand—her apple and her father,
and my nose pressed
Hugely to the collar of her winter coat—. There
in the photograph

It is the child who is the branch

Her hair was curls of Pleasure and Delight,
Which on her brow did cast a glistening light.
As lace her bashful eyelids downward hung:
A modest countenance o'er her face was flung:
Blushes, as coral beads, she strung to wear
About her neck, and pendants for each ear:
Her gown was by Proportion cut and made,
With veins embroidered, with complexion laid,
Rich jewels of pure honor she did wear,
By noble actions brightened everywhere:
Thus dressed, to Fame's great court straightways she went,
To dance a brawl with Youth, Love, Mirth, Content.

41
His classic studies made a little puzzle,
Because of filthy loves of gods and goddesses,
Who in the earlier ages raised a bustle,
But never put on pantaloons or bodices;
His reverend tutors had at times a tussle,
And for their Aeneids, Iliads, and Odysseys,
Were forced to make an odd sort of apology,
For Donna Inez dreaded the mythology.

42
Ovid's a rake, as half his verses show him,
Anacreon's morals are a still worse sample,

Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.

Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life,
Unvex’d with anxious Cares, and void of Strife!
Who studying Peace, and shunning Civil Rage,
Enjoy’d his Youth, and now enjoys his Age:

I try to carry the gravestone
from the darkness of my mother's sickroom—
scratches of light around drawn shades—
outside, the gold and red of autumn.

She is like a queen in exile
scraping with her nails on silk walls
her message of anger, her weak
insatiable demands and regrets.

Upon a lonely mountain, there lived two hermits who worshipped God
and loved one another.

Now these two hermits had one earthen bowl, and this was their only
possession.

One day an evil spirit entered into the heart of the older hermit
and he came to the younger and said, “It is long that we have
lived together. The time has come for us to part. Let us divide
our possessions.”

Then the younger hermit was saddened and he said, “It grieves
me, Brother, that thou shouldst leave me. But if thou must needs
go, so be it,” and he brought the earthen bowl and gave it to him
saying, “We cannot divide it, Brother, let it be thine.”

Then the older hermit said, “Charity I will not accept. I will
take nothing but mine own. It must be divided.”

And the younger one said, “If the bowl be broken, of what use would
it be to thee or to me? If it be thy pleasure let us rather cast
a lot.”

But the older hermit said again, “I will have but justice and mine
own, and I will not trust justice and mine own to vain chance. The
bowl must be divided.”

Then the younger hermit could reason no further and he said, “If
it be indeed thy will, and if even so thou wouldst have it let us
now break the bowl.”

But the face of the older hermit grew exceedingly dark, and he
cried, “O thou cursed coward, thou wouldst not fight.”

I burned my life, that I might find
A passion wholly of the mind,
Thought divorced from eye and bone,
Ecstasy come to breath alone.
I broke my life, to seek relief
From the flawed light of love and grief.

With mounting beat the utter fire
Charred existence and desire.

One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel — every canvas means
The same one meaning, neither more or less.

at the third floor window of the tenement,
the street looks shiny.
It has been washed and rinsed by rain.
Beyond the silver streaks of the streetcar tracks
a single streetlight stands
in a pool of wet light. It is night.
St. Louis. Nineteen forty-seven.
I have just come home from the orphanage

Were’t aught to me I bore the canopy,
With my extern the outward honouring,
Or laid great bases for eternity,
Which proves more short than waste or ruining;
Have I not seen dwellers on form and favour
Lose all, and more, by paying too much rent,
For compound sweet forgoing simple savour,
Pitiful thrivers, in their gazing spent?

The mountain sheep are sweeter,
But the valley sheep are fatter;
We therefore deemed it meeter
To carry off the latter.
We made an expedition;
We met a host, and quelled it;
We forced a strong position,
And killed the men who held it.

On Dyfed's richest valley,
Where herds of kine were browsing,
We made a mighty sally,
To furnish our carousing.
Fierce warriors rushed to meet us;

Huzza! Hodgson, we are going,
Our embargo's off at last;
Favourable breezes blowing
Bend the canvass o'er the mast.
From aloft the signal's streaming,
Hark! the farewell gun is fir'd;
Women screeching, tars blaspheming,
Tell us that our time's expir'd.

As you came from the holy land
of Walsinghame
Met you not with my true love
By the way as you came?

How shall I know your true love
That have met many one
As I went to the holy land

A Book of Verses underneath the Bough,
A Jug of Wine, A Loaf of Bread—and Thou
Beside me singing in the Wilderness—
Oh, Wilderness were Paradise enow!