When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
I tell thee, Dick, where I have been, Where I the rarest things have seen; Oh, things without compare! Such sights again cannot be found In any place on English ground, Be it at wake, or fair.
Mary sat musing on the lamp-flame at the table Waiting for Warren. When she heard his step, She ran on tip-toe down the darkened passage To meet him in the doorway with the news And put him on his guard. ‘Silas is back.’ She pushed him outward with her through the door And shut it after her. ‘Be kind,’ she said. She took the market things from Warren’s arms And set them on the porch, then drew him down To sit beside her on the wooden steps.
‘When was I ever anything but kind to him? But I’ll not have the fellow back,’ he said. ‘I told him so last haying, didn’t I? If he left then, I said, that ended it.
It is a place whither I’ve often gone For peace, and found it, secret, hushed, and cool, A beautiful recess in neighboring woods. Trees of the soberest hues, thick-leaved and tall, Arch it o’erhead and column it around, Framing a covert, natural and wild, Domelike and dim; though nowhere so enclosed But that the gentlest breezes reach the spot
The gravel road rides with a slow gallop over the fields, the telephone lines streaming behind, its billow of dust full of the sparks of redwing blackbirds.
On either side, those dear old ladies, the loosening barns, their little windows dulled by cataracts of hay and cobwebs hide broken tractors under their skirts.
1.Baseball, I warrant, is not the whole occupation of the aging boy. Far from it: There are cats and roses; there is her water body. She fills the skin of her legs up, like water; under her blouse, water assembles, swelling lukewarm; her mouth is water, her cheekbones cool water; water flows
Mine was a Midwest home—you can keep your world. Plain black hats rode the thoughts that made our code. We sang hymns in the house; the roof was near God.
The light bulb that hung in the pantry made a wan light, but we could read by it the names of preserves— outside, the buffalo grass, and the wind in the night.
A wildcat sprang at Grandpa on the Fourth of July when he was cutting plum bushes for fuel,
Four-fifty. The palings of Trinity Church Burying Ground, a few inches above the earth, are sunk in green light. The low stones like pale books knocked sideways. The bus so close to the curb that brush-drops of ebony paint stand out wetly, the sunlight seethes with vibrations, the sidewalks on Whitehall shudder with subterranean tremors. Overhead, faint flickers
crackle down the window-paths: limpid telegraphy of the
I don’t remember exactly when Budberg died, it was either two years ago or three. The same with Chen. Whether last year or the one before. Soon after our arrival, Budberg, gently pensive, Said that in the beginning it is hard to get accustomed, For here there is no spring or summer, no winter or fall.
“I kept dreaming of snow and birch forests. Where so little changes you hardly notice how time goes by.
Hark how the Mower Damon sung, With love of Juliana stung! While everything did seem to paint The scene more fit for his complaint. Like her fair eyes the day was fair, But scorching like his am’rous care. Sharp like his scythe his sorrow was, And withered like his hopes the grass.
‘Oh what unusual heats are here, Which thus our sunburned meadows sear! The grasshopper its pipe gives o’er; And hamstringed frogs can dance no more. But in the brook the green frog wades; And grasshoppers seek out the shades.
The catalpa’s white week is ending there in its corner of my yard. It has its arms full of its own flowering now, but the least air spills off a petal and a breeze lets fall whole coronations. There is not much more of what this is. Is every gladness quick? That tree’s a nuisance, really. Long before the summer’s out, its beans, long as a stick,
We don't see the ocean, not ever, but in July and August when the worst heat seems to rise from the hard clay of this valley, you could be walking through a fig orchard when suddenly the wind cools and for a moment you get a whiff of salt, and in that moment you can almost believe something is waiting beyond the Pacheco Pass, something massive, irrational, and so powerful even the mountains that rise east of here have no word for it.
You probably think I'm nuts saying the mountains have no word for ocean, but if you live here you begin to believe they know everything. They maintain that huge silence we think of as divine, a silence that grows in autumn when snow falls slowly between the pines and the wind dies
I am thinking of an early summer. I am thinking of wet hills in the rain Pouring water. Shedding it Down empty acres of oak and manzanita Down to the old green brush tangled in the sun, Greasewood, sage, and spring mustard. Or the hot wind coming down from Santa Ana
First there was the earth in my mouth. It was there like a running stream, the July fever sweating the delirium of August, and the green buckling under the sun. The taste of sick dust ran in the currents of saliva which I heaved up and tried to picture when all the people would curse their own stinking guts and die. No. I am not wishing that everyone should die. Nor am I wishing that everyone should be still. Only I am squeezing out the steam in me.
Comment form: