I In a far country, and a distant age, Ere sprites and fays had bade farewell to earth, A boy was born of humble parentage; The stars that shone upon his lonely birth Did seem to promise sovereignty and fame— Yet no tradition hath preserved his name.
II ’T is said that on the night when he was born, A beauteous shape swept slowly through the room; Its eyes broke on the infant like a morn, And his cheek brightened like a rose in bloom;
(Double Portrait in a Mirror)
I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.
I dreamed that I was old: in stale declension Fallen from my prime, when company Was mine, cat-nimbleness, and green invention, Before time took my leafy hours away.
My wisdom, ripe with body’s ruin, found Itself tart recompense for what was lost In false exchange: since wisdom in the ground Has no apocalypse or pentecost.
I I weep for Adonais—he is dead! Oh, weep for Adonais! though our tears Thaw not the frost which binds so dear a head! And thou, sad Hour, selected from all years To mourn our loss, rouse thy obscure compeers, And teach them thine own sorrow, say: "With me Died Adonais; till the Future dares Forget the Past, his fate and fame shall be An echo and a light unto eternity!"
II Where wert thou, mighty Mother, when he lay, When thy Son lay, pierc'd by the shaft which flies In darkness? where was lorn Urania
Nondum amabam, et amare amabam, quaerebam quid amarem, amans amare.— Confess. St. August. Earth, ocean, air, belovèd brotherhood! If our great Mother has imbued my soul With aught of natural piety to feel Your love, and recompense the boon with mine;
I. FRIENDS of faces unknown and a land Unvisited over the sea, Who tell me how lonely you stand With a single gold curl in the hand Held up to be looked at by me, —
Lo I the man, whose Muse whilome did maske, As time her taught in lowly Shepheards weeds, Am now enforst a far unfitter taske, For trumpets sterne to chaunge mine Oaten reeds, And sing of Knights and Ladies gentle deeds; Whose prayses having slept in silence long, Me, all too meane, the sacred Muse areeds To blazon broad emongst her learned throng: Fierce warres and faithful loves shall moralize my song. Helpe then, O holy Virgin chiefe of nine, Thy weaker Novice to performe thy will, Lay forth out of thine everlasting scryne The antique rolles, which there lye hidden still, Of Faerie knights and fairest Tanaquill, Whom that most noble Briton Prince so long
Retired ballerinas on winter afternoons walking their dogs in Central Park West (or their cats on leashes— the cats themselves old highwire artists) The ballerinas leap and pirouette through Columbus Circle
The mind is a city like London, Smoky and populous: it is a capital Like Rome, ruined and eternal, Marked by the monuments which no one Now remembers. For the mind, like Rome, contains Catacombs, aqueducts, amphitheatres, palaces, Churches and equestrian statues, fallen, broken or soiled.
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and cock and hand and asshole holy! Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel! The bum’s as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cassady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the cocks of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace peyote pipes & drums!
Abolished, and her frightful wing in the tears Of the basin, abolished, that mirrors forth our fears, The naked golds lashing the crimson space, An Aurora—heraldic plumage—has chosen to embrace
crashes thru air where Lady LSD hangs up all the floors of life for the last time Blue Grace leans on white slime Blue Grace weaves in & out of Lüneburg and ‘My Burial Vault’ undulates from first hour peyote turnon Diderot hand in hand with the Marquis de Sade wraps himself up in a mexican serapé
A name only once crammed into the child's fitful memory in malnourished villages, vast deliriums like the galloping foothills of the Colorado: of Mohawks and the Chippewa, horsey penny-movies brought cheap at the tail of the war to Africa. Where indeed is the Mississippi panorama
—Brook and road Were fellow-travellers in this gloomy Pass, And with them did we journey several hours At a slow step. The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls, And in the narrow rent, at every turn, Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the wayside As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens,
How long will our bewildered heirs marooned in possessions not theirs puzzle at disposing of these three cunning feignings of hard candy in glass— the striped little pillowlike mock-sweets, the flared end-twists as of transparent paper?
No clue will be attached, no trace of the sunny day of their purchase,
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