My Brother the Artist, at Seven

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

An Episode AND the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.

Beholde, o man! lyft up thyn eye and see
What mortall peyne I suffre for thi trespace.
With pietous voys I crye and sey to the:
Beholde my woundes, behold my blody face,
Beholde the rebukes that do me so manace,
Beholde my enemyes that do me so despice,
And how that I, to reforme the to grace,
Was like a lambe offred in sacryfice.

...

And geyn thi pryde behold my gret mekenesse;
Geyn thyn envie behold my charité;
Geyn thi leccherye behold my chast clennesse;
Geyn thi covetyse behold my poverté.

O living pictures of the dead,
O songs without a sound,
O fellowship whose phantom tread
Hallows a phantom ground—
How in a gleam have these revealed
The faith we had not found.

We have sought God in a cloudy Heaven,
We have passed by God on earth:
His seven sins and his sorrows seven,
His wayworn mood and mirth,
Like a ragged cloak have hid from us
The secret of his birth.

Brother of men, when now I see

Ugliest little boy
that everyone ever saw.
That is what everyone said.

Even to his mother it was apparent—
when the blue-aproned nurse came into the
northeast end of the maternity ward
bearing his squeals and plump bottom
looped up in a scant receiving blanket,

And when my Joy was born, I held it in my arms and stood on the
house-top shouting, “Come ye, my neighbours, come and see, for Joy
this day is born unto me. Come and behold this gladsome thing that
laugheth in the sun.”

But none of my neighbours came to look upon my Joy, and great was
my astonishment.

And every day for seven moons I proclaimed my Joy from the
house-top—and yet no one heeded me. And my Joy and I were alone,
unsought and unvisited.

Then my Joy grew pale and weary because no other heart but mine
held its loveliness and no other lips kissed its lips.

Then my Joy died of isolation.

And now I only remember my dead Joy in remembering my dead Sorrow.
But memory is an autumn leaf that murmurs a while in the wind and
then is heard no more.

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

Openly, yes,
With the naturalness
Of the hippopotamus or the alligator
When it climbs out on the bank to experience the

Sun, I do these
Things which I do, which please
No one but myself. Now I breathe and now I am sub-
Merged; the blemishes stand up and shout when the object

In view was a
Renaissance; shall I say
The contrary? The sediment of the river which
Encrusts my joints, makes me very gray but I am used

I

Swear by what the Sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women,
Complexion and form prove superhuman,
That pale, long visaged company

In Memory of Charles Baudelaire

Nous devrions pourtant lui porter quelques fleurs;
Les morts, les pauvres morts, ont de grandes douleurs,
Et quand Octobre souffle, émondeur des vieux arbres,
Son vent mélancolique àl'entour de leurs marbres,
Certe, ils doivent trouver les vivants bien ingrats.

Les Fleurs du Mal.
I
Shall I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,

Just the other day
In Fresno
In a giant arena
Architectured
To reject the very poor
Cesar Chavez brought
The very poor
Together

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

...and a decrepit handful of trees.
—Aleksandr Pushkin

And I matured in peace born of command,
in the nursery of the infant century,
and the voice of man was never dear to me,
but the breeze’s voice—that I could understand.
The burdock and the nettle I preferred,
but best of all the silver willow tree.
Its weeping limbs fanned my unrest with dreams;
it lived here all my life, obligingly.
I have outlived it now, and with surprise.
There stands the stump; with foreign voices other
willows converse, beneath our, beneath those skies,
and I am hushed, as if I’d lost a brother.

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

From my hands—take this city not made by hands,
my strange, my beautiful brother.

Take it, church by church—all forty times forty churches,
and flying up the roofs, the small pigeons;

And Spassky Gates—and gates, and gates—
where the Orthodox take off their hats;

And the Chapel of Stars—refuge chapel—
where the floor is—polished by tears;

I ply with all the cunning of my art This little thing, and with consummate care
I fashion it—so that when I depart,
Those who come after me shall find it fair
And beautiful. It must be free of flaws—
Pointing no laborings of weary hands;

To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say,
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.

'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,

Last night I dreamed I ran through the streets of New York
Looking for help for you, Nicanor.
But my few friends who are rich or influential
were temporarily absent from their penthouses or hotel suites.
They had gone to the opera, or flown for the weekend to Bermuda.
At last I found one or two of them at home,
preparing for social engagements,
absently smiling, as they tried on gown after gown

(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel