I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
[Supposed of Pamphylax the Antiochene: It is a parchment, of my rolls the fifth, Hath three skins glued together, is all Greek, And goeth from Epsilon down to Mu: Lies second in the surnamed Chosen Chest, Stained and conserved with juice of terebinth, Covered with cloth of hair, and lettered Xi, From Xanthus, my wife's uncle, now at peace: Mu and Epsilon stand for my own name. I may not write it, but I make a cross To show I wait His coming, with the rest, And leave off here: beginneth Pamphylax.]
I said, "If one should wet his lips with wine, "And slip the broadest plantain-leaf we find,
Gettin’ together to smile an’ rejoice, An’ eatin’ an’ laughin’ with folks of your choice; An’ kissin’ the girls an’ declarin’ that they Are growin’ more beautiful day after day; Chattin’ an’ braggin’ a bit with the men, Buildin’ the old family circle again; Livin’ the wholesome an’ old-fashioned cheer, Just for awhile at the end of the year.
Greetings fly fast as we crowd through the door And under the old roof we gather once more Just as we did when the youngsters were small; Mother’s a little bit grayer, that’s all. Father’s a little bit older, but still Ready to romp an’ to laugh with a will.
To the Memory of the Household It Describes This Poem is Dedicated by the Author
“As the Spirits of Darkness be stronger in the dark, so Good Spirits, which be Angels of Light, are augmented not only by the Divine light of the Sun, but also by our common Wood Fire: and as the Celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.” —Cor. Agrippa, Occult Philosophy, Book I.ch. v.
“Announced by all the trumpets of the sky, Arrives the snow, and, driving o’er the fields, Seems nowhere to alight: the whited air Hides hills and woods, the river and the heaven, And veils the farm-house at the garden’s end. The sled and traveller stopped, the courier’s feet Delayed, all friends shut out, the housemates sit Around the radiant fireplace, enclosed In a tumultuous privacy of Storm.” EMERSON, The Snow Storm. The sun that brief December day Rose cheerless over hills of gray, And, darkly circled, gave at noon A sadder light than waning moon.
The light foot hears you and the brightness begins god-step at the margins of thought, quick adulterous tread at the heart. Who is it that goes there? Where I see your quick face notes of an old music pace the air, torso-reverberations of a Grecian lyre.
In Goya’s canvas Cupid and Psyche have a hurt voluptuous grace bruised by redemption. The copper light falling upon the brown boy’s slight body is carnal fate that sends the soul wailing
It is easily forgotten, year to year, exactly where the plot is, though the place is entirely familiar— a willow tree by a curving roadway sweeping black asphalt with tender leaves;
damp grass strewn with flower boxes, canvas chairs, darkskinned old ladies circling in draped black crepe family stones,
The house in which we now lived was old— dark rooms and low ceilings. Once our maid, who happened to be Hungarian, reached her hand up into the cupboard for a dish and touched a dead rat that had crawled there to die—poisoned, no doubt. “Disgusting, disgusting,” she kept saying in German and, to my amusement, shuddered whenever she thought of it.
One of those appointments you postpone until anxiety propels you to the phone, then have to wait too long for, to take an inconvenient time . . . Late in the day, an old man and I watch the minute hand
on the waiting room wall. I’ve papers to grade, but he wants someone to talk to, and his attendant’s rude, so he turns
I am leading a quiet life in Mike’s Place every day watching the champs of the Dante Billiard Parlor and the French pinball addicts. I am leading a quiet life on lower East Broadway. I am an American.
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