Poetry Is a Destructive Force

I. Children's Arms

On my way home I pass a cameraman
On a platform on the bumper of a car
Inside which, rolling and plunging, a comedian
Is working; on one white lot I see a star
Stumble to her igloo through the howling gale
Of the wind machines. On Melrose a dinosaur
And pterodactyl, with their immense pale

What I’m trying to say is that if an experience is
proposed to me—I don’t have any particular interest
in it—Any more than anything else. I’m interested in
anything. Like I could walk out the door right now and go some
where else. I don’t have any center in that sense. If you’ll look
in my palm you’ll see that my heart and my head line are
the same and if you’ll look in your palm you’ll see that it’s
different. My heart and my head feel exactly the same. Me,

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

1. About the Beginnings of the Dead Man

When the dead man throws up, he thinks he sees his inner life.
Seeing his vomit, he thinks he sees his inner life.
Now he can pick himself apart, weigh the ingredients, research

his makeup.
He wants to study things outside himself if he can find them.
Moving, the dead man makes the sound of bone on bone.
He bends a knee that doesn’t wish to bend, he raises an arm that

For Ruth Fainlight I know the bottom, she says. I know it with my great tap root:
It is what you fear.

Karshish, the picker-up of learning's crumbs,
The not-incurious in God's handiwork
(This man's-flesh he hath admirably made,
Blown like a bubble, kneaded like a paste,
To coop up and keep down on earth a space
That puff of vapour from his mouth, man's soul)
—To Abib, all-sagacious in our art,
Breeder in me of what poor skill I boast,

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, — and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him —
All you down there where your small Avon flows
By Stratford, and where you're an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

for Joseph Cady

Camden, 1882 Is it raining, Mary, can you see?