When Abraham Lincoln was shoveled into the tombs, he forgot the copperheads and the assassin ... in the dust, in the cool tombs.
And Ulysses Grant lost all thought of con men and Wall Street, cash and collateral turned ashes ... in the dust, in the cool tombs.
Pocahontas’ body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May, did she wonder? does she remember? ... in the dust, in the cool tombs?
Take any streetful of people buying clothes and groceries, cheering a hero or throwing confetti and blowing tin horns ... tell me if the lovers are losers ... tell me if any get more than the lovers ... in the dust ... in the cool tombs.
The town is old and very steep A place of bells and cloisters and grey towers, And black-clad people walking in their sleep— A nun, a priest, a woman taking flowers To her new grave; and watched from end to end By the great Church above, through the still hours: But in the morning and the early dark The children wake to dart from doors and call
Here, in the darkness, where this plaster saint Stands nearer than God stands to our distress, And one small candle shines, but not so faint As the far lights of everlastingness, I’d rather kneel than over there, in open day Where Christ is hanging, rather pray To something more like my own clay, Not too divine;
(We can succeed only by concert. . . . The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new so we must think anew and act anew. We must disenthrall ourselves. . . . December 1, 1862. The President’s Message to Congress.) Be sad, be cool, be kind, remembering those now dreamdust
I sing the man that never equal knew, Whose mighty arms all Asia did subdue, Whose conquests through the spacious world do ring, That city-raser, king-destroying king, Who o’er the warlike Macedons did reign, And worthily the name of Great did gain. This is the prince (if fame you will believe, To ancient story any credit give.) Who when the globe of Earth he had subdued, With tears the easy victory pursued; Because that no more worlds there were to win, No further scene to act his glories in.
Ah that some pitying Muse would now inspire My frozen style with a poetic fire,
Deola passes her mornings sitting in a cafe, and nobody looks at her. Everyone’s rushing to work, under a sun still fresh with the dawn. Even Deola isn’t looking for anyone: she smokes serenely, breathing the morning. In years past, she slept at this hour to recover her strength: the throw on her bed was black with the boot-prints of soldiers and workers, the backbreaking clients. But now, on her own,
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
(excerpt) On Hellespont, guilty of true love's blood, In view and opposite two cities stood, Sea-borderers, disjoin'd by Neptune's might; The one Abydos, the other Sestos hight.
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