Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
I am a great American I am almost nationalistic about it! I love America like a madness! But I am afraid to return to America I’m even afraid to go into the American Express—
The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
Where are Elmer, Herman, Bert, Tom and Charley, The weak of will, the strong of arm, the clown, the boozer, the fighter? All, all are sleeping on the hill.
One passed in a fever, One was burned in a mine, One was killed in a brawl, One died in a jail,
Fall a scrimage of yellow leaves today All over Lincoln Park Like the mask of the Yellow Mule who travels between the next world and Tibet inside its house of glass in the Field Museum by the lake. I am carrying the night. I am carrying it as if it were a dark blue dish with stars for the dinner of the Dalai Lama.
I’ve known rivers: I’ve known rivers ancient as the world and older than the flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I’ve seen its muddy bosom turn all golden in the sunset.
O this political air so heavy with the bells and motors of a slow night, and no place to rest but rain to walk—How it rings the Washington streets! The umbrella’d congressmen; the rapping tires of big black cars, the shoulders of lobbyists caught under canopies and in doorways, and it rains, it will not let up, and meanwhile lame futurists weep into Spengler’s
Manic-depressive Lincoln, national hero! How just and true that this great nation, being conceived In liberty by fugitives should find —Strange ways and plays of monstrous History— This Hamlet-type to be the President—
This failure, this unwilling bridegroom, This tricky lawyer full of black despair—
Would I might rouse the Lincoln in you all, That which is gendered in the wilderness From lonely prairies and God’s tenderness. Imperial soul, star of a weedy stream, Born where the ghosts of buffaloes still dream, Whose spirit hoof-beats storm above his grave, Above that breast of earth and prairie-fire— Fire that freed the slave.
“Lincoln?— Well, I was in the old Second Maine, The first regiment in Washington from the Pine Tree State. Of course I didn’t get the butt of the clip; We was there for guardin’ Washington— We was all green.
“I ain’t never ben to the theayter in my life— I didn’t know how to behave. I ain’t never ben since. I can see as plain as my hat the box where he sat in When he was shot. I can tell you, sir, there was a panic When we found our President was in the shape he was in! Never saw a soldier in the world but what liked him.
Today the moon sees fit to come between a parched earth and sun, hurrying the premature darkness. A rooster in the yard cuts off its crowing, fooled into momentary sleep. And soon the Perseid showers, broken bits of the ancient universe, will pass through the skin of our
THE NIGHT THAT LORCA COMES SHALL BE A STRANGE NIGHT IN THE SOUTH, IT SHALL BE THE TIME WHEN NEGROES LEAVE THE SOUTH FOREVER, GREEN TRAINS SHALL ARRIVE FROM RED PLANET MARS CRACKLING BLUENESS SHALL SEND TOOTH-COVERED CARS FOR
I loathed you, Spoon River. I tried to rise above you, I was ashamed of you. I despised you As the place of my nativity. And there in Rome, among the artists, Speaking Italian, speaking French, I seemed to myself at times to be free Of every trace of my origin. I seemed to be reaching the heights of art And to breathe the air that the masters breathed, And to see the world with their eyes. But still they’d pass my work and say: "What are you driving at, my friend? Sometimes the face looks like Apollo’s, At others it has a trace of Lincoln’s." There was no culture, you know, in Spoon River,
To all events I squirted you knowing this not to be this came to pass when we were out and it looked good. Why wouldn’t you want a fresh piece of outlook to stand in down the years? See, your house, a former human energy construction, crashed with us for a few days in May and sure enough, the polar inscape brought about some easier poems, which I guessed was a good thing. At least some of us were relaxed, Steamboat Bill included.
He didn’t drink nothing. It was one thing to be ready for their challenge, quite another to accept it.
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