At The Zoo

There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.

There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross.

There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go.

There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis.

There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so.

There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness.

O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.

The Normal Monster
sings in the Green Sahara

The voice and offal
of the image of God

make Celtic noises
in these lyrical hells

Hurricanes
of reasoned musics

Good morning, electorate.
We are on good speaking terms
but do not speak, which means
we must be self-reliant,
there are many matters at hand.
We’re not close enough to know each other’s
good news, bad news, private matters.

There are silent streets off public gardens

loquitur the sparrow in the Zoo

No bars are set too close, no mesh too fine
To keep me from the eagle and the lion,
Whom keepers feed that I may freely dine.
This goes to show that if you have the wit
To be small, common, cute, and live on shit,
Though the cage fret kings, you may make free with it.

September 1956

I
Neon stripes tighten my wall
where my crayon landlord hangs
from a bent nail.

My black father sits crooked
in the kitchen
drunk on Jesus’ blood turned
to cheap wine.

For Carl Solomon I

I saw the best minds of my generation destroyed by madness, starving hysterical naked,

In a year the nightingales were said to be so loud
they drowned out slumber, and peafowl strolled screaming
beside the ruined nunnery, through the long evening
of a dazzled pub crawl, the halcyon color, portholed
by those eye-spots’ stunning tapestry, unsettled
the pastoral nightfall with amazements opening.

Months later, intermission in a pub on Fifty-fifth Street
found one of them still breathless, the other quizzical,

Many believe in the stars.


Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.

Gone.



Odysseus to Greece:

“Hector has never fought this far from Troy.

after Po Chü-i,
for Robert Creeley We don’t lack people here on the Northern coast,
But they are people one meets, not people one cares for.

When the windows of the West Side clash like cymbals in the setting sunlight,
And when wind wails amid the East Side’s aerials,
And when, both north and south of thirty-fourth street,
In all the dizzy buildings,
The elevators clack their teeth and rattle the bars of their cages,
Then the children of the city,
Leaving the monkey-houses
of their office-buildings and apartments,

I’d dislocated my life, so I went to the zoo.
It was December but it wasn’t December. Pansies
just planted were blooming in well-groomed beds.
Lovers embraced under the sky’s Sunday blue.
Children rode around and around on pastel trains.
I read the labels stuck on every cage the way
people at museums do, art being less interesting
than information. Each fenced-in plot had a map,

The sight of beauty simply makes us sick:
There are too many hours in the day,
Too many wicked faces built like flowers
And far too many bargains for a song.
Jade and paste, cashmere and ormolu—
Who said that all the arts aspire to music?
It’s obvious, for time is obvious,
That all that art aspires to is junk.