Michiko Dead

First Psalm

Let there be a God as large as a sunlamp to laugh his heat at you.

Let there be an earth with a form like a jigsaw and let it fit for all of ye.

Let there be the darkness of a darkroom out of the deep. A worm room.

Let there be a God who sees light at the end of a long thin pipe and lets it in.

Let God divide them in half.

Let God share his Hoodsie.

Let the waters divide so that God may wash his face in first light.

My soul and I went to the great sea to bathe. And when we reached the shore, we went about looking for a hidden and lonely place.

But as we walked, we saw a man sitting on a grey rock taking pinches of salt from a bag and throwing them into the sea.

“This is the pessimist,” said my soul, “Let us leave this place. We cannot bathe here.”

We walked on until we reached an inlet. There we saw, standing on a white rock, a man holding a bejeweled box, from which he took sugar and threw it into the sea.

“And this is the optimist,” said my soul, “And he too must not see our naked bodies.”

Further on we walked. And on a beach we saw a man picking up dead fish and tenderly putting them back into the water.

“And we cannot bathe before him,” said my soul. “He is the humane philanthropist.”

And we passed on.

I. Children's Arms

On my way home I pass a cameraman
On a platform on the bumper of a car
Inside which, rolling and plunging, a comedian
Is working; on one white lot I see a star
Stumble to her igloo through the howling gale
Of the wind machines. On Melrose a dinosaur
And pterodactyl, with their immense pale

Our age bereft of nobility
How can our faces show it?
I look for love.
My lips stand out
dry and cracked with want
of it.
Oh it is well.
My poem shall show the need for it.

1. About the Beginnings of the Dead Man

When the dead man throws up, he thinks he sees his inner life.
Seeing his vomit, he thinks he sees his inner life.
Now he can pick himself apart, weigh the ingredients, research

his makeup.
He wants to study things outside himself if he can find them.
Moving, the dead man makes the sound of bone on bone.
He bends a knee that doesn’t wish to bend, he raises an arm that

1
In late winter
I sometimes glimpse bits of steam
coming up from
some fault in the old snow
and bend close and see it is lung-colored
and put down my nose

When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy’s been swinging them.
But swinging doesn’t bend them down to stay
As ice-storms do. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-colored

We suffer from the repression of the sublime.
—Roberto Assagioli This artist’s sculptured, open box of mahogany
(ivory white inside) is strung

Infinity, when all things it beheld
In Nothing, and of Nothing all did build,
Upon what Base was fixt the Lath wherein
He turn’d this Globe, and riggalld it so trim?
Who blew the Bellows of His Furnace Vast?
Or held the Mould wherein the world was Cast?
Who laid its Corner Stone? Or whose Command?
Where stand the Pillars upon which it stands?