February 30th

I don’t remember exactly when Budberg died, it was either two years
ago or three.
The same with Chen. Whether last year or the one before.
Soon after our arrival, Budberg, gently pensive,
Said that in the beginning it is hard to get accustomed,
For here there is no spring or summer, no winter or fall.

“I kept dreaming of snow and birch forests.
Where so little changes you hardly notice how time goes by.

January

Contorted by wind,
mere armatures for ice or snow,
the trees resolve
to endure for now,

they will leaf out in April.
And I must be as patient
as the trees—

Lines Composed 21st February 1825 All Nature seems at work. Slugs leave their lair—
The bees are stirring—birds are on the wing—

For my mother, born March 1902, died March 1959
and my father, born February 1900, died June 1959 Gone, I say and walk from church,
refusing the stiff procession to the grave,

Winter. Time to eat fat
and watch hockey. In the pewter mornings, the cat,
a black fur sausage with yellow
Houdini eyes, jumps up on the bed and tries
to get onto my head. It’s his
way of telling whether or not I’m dead.
If I’m not, he wants to be scratched; if I am
He’ll think of something. He settles

1

The children of the Czar
Played with a bouncing ball

In the May morning, in the Czar’s garden,
Tossing it back and forth.

It fell among the flowerbeds
Or fled to the north gate.

A daylight moon hung up

35? I have been looking forward
To you for many years now
So much so that
I feel you and I are old
Friends and so on this day, 35
I propose a toast to
Me and You
35? From this day on

Valentine, valentine you arrive
in a town car with a chauffered envelope,
scattered pieces of you enrolled in schoolyards
like a recess of paper vanity, litter, old
with red-rimmed "loves," red-rhymed lies in lace.

The verses come, rising as easily as long-stemmed snakes in
bloom where swamps settle down and drowse
by dawn, a night of secrets slid out of drawers like knives nesting, a choice of chimes and slums overrun
by bejeweled heartbreakers. What a lovely
winter, almost skipping February.

Best and brightest, come away!
Fairer far than this fair Day,
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle on the brake.
The Brightest hour of unborn Spring,
Through the winter wandering,

Good morning, electorate.
We are on good speaking terms
but do not speak, which means
we must be self-reliant,
there are many matters at hand.
We’re not close enough to know each other’s
good news, bad news, private matters.

There are silent streets off public gardens

“From a certain point onward there is no longer any turning back. That is the point that must be reached.”FRANZ KAFKA Father:

I

O what a physical effect it has on me
To dive forever into the light blue sea
Of your acquaintance! Ah, but dearest friends,
Like forms, are finished, as life has ends! Still,
It is beautiful, when October
Is over, and February is over,

Eaglecrest, Juneau, February 24, 1989 Amelia, space-age girl
at top of Sourdough

The last full moon of February stalks the fields; barbed wire casts a shadow.
Rising slowly, a beam moved toward the west
stealthily changing position

until now, in the small hours, across the snow

The time has been that these wild solitudes,
Yet beautiful as wild, were trod by me
Oftener than now; and when the ills of life
Had chafed my spirit—when the unsteady pulse
Beat with strange flutterings—I would wander forth
And seek the woods. The sunshine on my path
Was to me a friend. The swelling hills,
The quiet dells retiring far between,
With gentle invitation to explore
Their windings, were a calm society
That talked with me and soothed me. Then the chant
Of birds, and chime of brooks, and soft caress
Of the fresh sylvan air, made me forget
The thoughts that broke my peace, and I began

Nothing to tell why I cannot write
in re Nobody; nobody to narrate this
latter acknowledgement: the self that counts
words to a line, accountable survivor
pain-wedged, pinioned in the cleft trunk,
less petty than a sprite, poisonous as Ariel
to Prospero's own knowledge. In my room
a vase of peacock feathers. I will attempt
to describe them, as if for evidence
on which a life depends. Except for the eyes
they are threadbare, the threads hanging
as from a luminate tough weed in February.
But those eyes—like a Greek letter,
omega, fossiled in an Indian shawl;
like a shaved cross section of living tissue,

Clarice, the Swiss Appraiser, paces our rooms, listing furnishings
on her yellow legal pad with a Waterman pen, a microcamera.
Although I've asked why we have to do this, I forgot the answer.

The answer to why is because, inscrutable, outside of logic,
helpless, useless because. Wing chairs, a deco lamp, my mother's
cherry dining table—nothing we both loved using looks tragic.

Most nights now I sit in the den reading the colorful spines
of your art books, Fra Angelico to Zurburan, volume after volume

Under the edge of february
in hawk of a throat
hidden by ravines of sweet oil
by temples of switchblades
beautiful in its sound of fertility
beautiful in its turban of funeral crepe
beautiful in its camouflage of grief
in its solitude of bruises