A Letter in October

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The Saturday morning meadowlark
came in from high up
with her song gliding into tall grass
still singing. How I'd like
to glide around singing in the summer
then to go south to where I already was
and find fields full of meadowlarks

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

Deola passes her mornings sitting in a cafe,
and nobody looks at her. Everyone’s rushing to work,
under a sun still fresh with the dawn. Even Deola
isn’t looking for anyone: she smokes serenely, breathing
the morning. In years past, she slept at this hour
to recover her strength: the throw on her bed
was black with the boot-prints of soldiers and workers,
the backbreaking clients. But now, on her own,

for Anselm Hollo Go out into brightened
space out there the fainter

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

. . . . . tell you? ha! who
can tell another how
to manage the swimming?

he was right: people

don’t change. They only stand more
revealed. I,
likewise

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The angel —
three years we waited for him, attention riveted,
closely scanning
the pines the shore the stars.
One with the blade of the plough or the ship’s keel
we were searching to find once more the first seed
so that the age-old drama could begin again.

On a road through the mountains with a friend many years ago
I came to a curve on a slope where a clear stream
flowed down flashing across dark rocks through its own
echoes that could neither be caught nor forgotten
it was the turning of autumn and already
the mornings were cold with ragged clouds in the hollows
long after sunrise but the pasture sagging like a roof
the glassy water and flickering yellow leaves