For Gustave Moreau

the porcelain cup is similar to my skull. when i grasp the cup firmly with my hand an arm out of nowhere sprouts on my arm like a graft and the hand on that arm raises the porcelain cup high and hurls it to the wooden floor. since that arm is safeguarding the porcelain cup the thing that is broken into pieces then is my skull that is similar to the porcelain cup. even if my arm had moved before the graft-arm slid into my arm like a snake the white paper that warded off flood would have ripped. yet my arm continues to safeguard the porcelain cup.Translated from the Korean

The cities dissolve, and the earth is a cart loaded with dust
Only poetry knows how to pair itself to this space.

No road to this house, a siege,
and his house is graveyard.

I. PULSE

Light over the Hudson recovers a Caribbean I have
never seen.
We list islands: Molokai, Oahu, Kauai; St. Lucia,
Haiti….
The surf folds tunnels of light
while a hand folds over a wrist (tell-tale pulse),
counting. The long tunnel is a wrist of blown spume.

It is like a dance, I think, this silence full of questions.
Pulse-beat; pulse-beat. Pulse. Pulse.

I push my hair back into the memories of palm trees,

Under the separated leaves of shade
Of the gingko, that old tree
That has existed essentially unchanged
Longer than any other living tree,
I walk behind a woman. Her hair's coarse gold
Is spun from the sunlight that it rides upon.
Women were paid to knit from sweet champagne
Her second skin: it winds and unwinds, winds

I

Tonite I walked out of my red apartment door on East tenth street’s dusk—
Walked out of my home ten years, walked out in my honking neighborhood
Tonite at seven walked out past garbage cans chained to concrete anchors
Walked under black painted fire escapes, giant castiron plate covering a hole in ground
—Crossed the street, traffic lite red, thirteen bus roaring by liquor store,
past corner pharmacy iron grated, past Coca Cola & Mylai posters fading scraped on brick
Past Chinese Laundry wood door’d, & broken cement stoop steps For Rent hall painted green & purple Puerto Rican style

At sunset from the top of the stair watching

the castle mallets wrenched from their socket

fell from ambush into flame flew into hiding;

above the stoneware a latch like muscle hid

the green; he stood waist high under the rapt

ceiling and hanged the sparrow; where the kitchen

had been a mirror of eggs served in a tumbler he

saw the ring when a lancet pierced and threw it.

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,

i

The children on the lawn
joined hand to hand
go round and round

each arm going into
the next arm, around
full circle
until it comes

When first I walked here I hobbled
along ties set too close together
for a boy to step easily on each.
I thought my stride one day
would reach every other and from then on
I would walk in time with the way
toward that Lobachevskian haze
up ahead where the two rails meet.