The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
The ground dove stuttered for a few steps then flew up from his path to settle in the sun-browned branches that were now barely twigs; in drought it coos with its relentless valve, a tiring sound, not like the sweet exchanges of turtles in the Song of Solomon, or the flutes of Venus in frescoes though all the mounds in the dove-calling drought
This was a true happening but (as you will see shortly) not such as would ready me for future ones. What has brisk disaster to do with a leisurely ordeal? Neither event, as you will notice also, has made me an understanding man. It was my watch one night, away then on the sea, when leaning on a couple of crates
Quarry out the stone of land, cobble the beach, wall surf, name it “street,” allow no ground or green cover for animal sins, but let opacity of sand be glass to keep the heat
An old man in Concord forgets to go to morning service. He falls asleep, while reading Vergil, and dreams that he is Aeneas at the funeral of Pallas, an Italian prince. The sun is blue and scarlet on my page, And yuck-a, yuck-a, yuck-a, yuck-a, rage
These creatures of the languid Orient,— Rare pearls of caste, in their voluptuous swoon And gilded ease, by Eunuchs watched and pent, And doomed to hear the lute’s perpetual tune, Were passion’s toys—to lust an ornament; But not such was our thrush-voiced Octoroon,— The Southland beauty who was wont to hear Faith’s tender secrets whispered in her ear.
This person would be an animal. This animal would be large, at least as large as a workhorse. It would chew cud, like cows, having several stomachs. No one could follow it into the dense brush to witness its mating habits. Hidden by fur, its sex would be hard to determine.
Spawn of fantasies Sifting the appraisable Pig Cupid his rosy snout Rooting erotic garbage "Once upon a time" Pulls a weed white star-topped Among wild oats sown in mucous membrane
We trekked into a far country, My friend and I. Our deeper content was never spoken, But each knew all the other said. He told me how calm his soul was laid By the lack of anvil and strife. “The wooing kestrel,” I said, “mutes his mating-note To please the harmony of this sweet silence.”
The flowers I planted along my road Have lasted long despite winds and cold Already fiery noons begin to burn Slyly the secret of the roots And I know that of my footsteps nothing will remain
First there was the earth in my mouth. It was there like a running stream, the July fever sweating the delirium of August, and the green buckling under the sun. The taste of sick dust ran in the currents of saliva which I heaved up and tried to picture when all the people would curse their own stinking guts and die. No. I am not wishing that everyone should die. Nor am I wishing that everyone should be still. Only I am squeezing out the steam in me.
When the child's forehead, full of red torments, Implores the white swarm of indistinct dreams, There come near his bed two tall charming sisters With slim fingers that have silvery nails.
They seat the child in front of a wide open Window where the blue air bathes a mass of flowers And in his heavy hair where the dew falls Move their delicate, fearful and enticing fingers.
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